Culture and art in Belgium

Kopergietery Rabot

Kopergietery Rabot is a satellite venue of Kopergietery, Ghent's children's and youth theatre, located in the Rabot district — one of the city's most diverse and lower-income neighbourhoods. Locally known simply as KG Rabot, it opened in 2009 as a second artistic platform for Kopergietery, alongside its main home in a former copper foundry in the city centre. What exactly is Kopergietery Rabot? It isn't a grand, traditional theatre with a big auditorium, but a community-rooted cultural space woven into the fabric of the Rabot neighbourhood. The Kopergietery team set out to reach local residents through artistic projects developed together with neighbourhood organisations and local artists. In practice that means regular drama workshops for children from the area, introducing them to stage work, movement and text long before they might otherwise think of theatre as a form of entertainment. What is the history behind this venue? Kopergietery itself has a longer story: it started in 1978 as Speelteater Gent under director Eva Bal, and took the name Kopergietery in 2001 when it moved into a former copper foundry building. The Rabot branch is a more recent chapter — a response to the need for a theatre presence outside the city centre, in a district with a high share of immigrant families and a tougher socio-economic profile. What else happens on site besides performances? In June 2012, the local eetcafé Toreke opened next to KG Rabot. Kopergietery programmes its own cultural activities there alongside the regular schedule of shows at Rabot, turning the venue into both a stage and a neighbourhood meeting point. How far does Kopergietery's reach extend? Across a full season, Kopergietery — through its own productions and guest performances — visits more than 270 schools, reaching around 11,000 children and young people. The Rabot venue is part of that wider mission: bringing theatre closer to young audiences regardless of which part of the city they come from or how much access to culture they otherwise have. Where exactly is Kopergietery Rabot located? The venue is found at Vlotstraat 22 in Ghent, right in the heart of the Rabot district, not far from the historic Het Rabot water gate dating from the late 15th century — though it's worth noting that Kopergietery Rabot itself is a cultural institution, not a historical monument. Frequently asked questions Is Kopergietery Rabot a theatre for adults? No — it is aimed primarily at children and young people, with workshops and performances tailored to a younger audience. Can you eat or get a coffee there? Yes, the local eetcafé Toreke has operated next to the venue since 2012, running its own cultural programme alongside the theatre. Do you need to book tickets in advance? The programme and ticket availability change seasonally, so it's worth checking Kopergietery's current schedule directly before visiting. Is this the same place as Kopergietery's main venue? No — the main venue is housed in a former copper foundry in central Ghent, while Rabot is a smaller, second location run locally in the district of the same name.

KOPERGIETERY

KOPERGIETERY is a Ghent arts centre built around theatre, dance and music created specifically for children and young people. Its name points directly to the building's past life: the venue occupies a former copper foundry, and the organisation adopted this identity at the start of the 21st century. Where does the story begin? The roots go back to 1978, when Speelteater Gent was founded in Ghent as Belgium's first dedicated dramatic arts venue for children and young audiences. The company was established by Eva Bal, and within two years it had secured its first government subsidies, allowing it to grow into a settled cultural institution in the city. The defining turning point came in 2001, when the organisation took on the name Kopergietery and moved into the former copper foundry building from which it still draws its identity today. What is Kopergietery today? It operates as a creative arts centre for children and young people, with a programme built around three main disciplines: theatre, dance and music. In a typical season the company produces between three and five new performances aimed at different age groups. A distinctive trait of its work is that the professional actors and dancers involved tend to draw on personal experience rather than adapting existing dramatic texts, giving the resulting productions a direct, personal quality that sets them apart from more conventional repertoire theatre. Where exactly does the organisation work from? Kopergietery runs from two locations in Ghent. Its main base, which houses rehearsal rooms and offices, sits in the Sluizeken-Tolhuis-Ham district and is known as KG Blekerij. A second venue, KG Rabot, is located in the Rabot district and is shared with the local school Mandala — a detail that reflects how closely the institution is woven into its neighbourhood and into the education of the city's youngest residents. Does Kopergietery perform beyond Ghent? Yes. Productions created here regularly tour across Flanders and abroad, and the company also takes part in co-productions with international partners. That makes Kopergietery not just a local stage for Ghent's youngest audiences, but also an active participant in the wider international circuit of theatre for children and young people. Who is this venue for? The programme is deliberately broad, with performances pitched at a range of age groups from very young children through to teenagers. That makes Kopergietery a natural stop for family visits to Ghent, particularly for travellers exploring the city with children who are looking for a cultural alternative to the more typical tourist attractions. Frequently asked questions What was Kopergietery originally? It began life in 1978 as Speelteater Gent, Belgium's first theatre venue dedicated to children and young audiences, founded by Eva Bal. Where does the current name come from? The organisation adopted the name Kopergietery in 2001 when it moved into a former copper foundry building, from which the name derives. What art forms does the company work in? Mainly theatre, dance and music, producing three to five new shows each season. Where in Ghent are its venues located? In the Sluizeken-Tolhuis-Ham district (KG Blekerij) and in the Rabot district (KG Rabot), the latter shared with the Mandala school. Can its productions be seen outside Belgium? Yes, thanks to touring across Flanders and international co-productions, its shows regularly travel abroad.

L'Os à Moelle, Brussels

Schaerbeek - Schaarbeek

L'Os à Moelle is the oldest still-operating cabaret venue in Brussels, located at Avenue Émile Max 153 in the district of Schaerbeek. It was opened in the spring of 1960 by a small group of enthusiasts, among them Jo Dekmine, who would later go on to direct the renowned Théâtre 140. Since then, the venue has continuously hosted cabaret artists, comedians, musicians and theatre performers, becoming a fixture of the city's cultural landscape. Where exactly is it located? The hall occupies a cellar space in a building dating from the late 19th century, originally used as a mushroom farm — which explains the venue's distinctive underground character. Notably, it sits beneath the house where Jacques Brel, one of the most recognizable Belgian artists of the 20th century, was born. This gives the venue an added layer of significance for anyone interested in the history of French-language song and cabaret culture. What is the history behind this place? Over the decades, the stage of L'Os à Moelle has featured performers of the caliber of Jacques Brel, Barbara, Toots Thielemans, Arno, Philippe Lafontaine, Pierre Richard, François Pirette, Maurane, Marka Herman, Jacques Higelin and the band Machiavel. Such a roster illustrates how influential this small stage was in the development of the Belgian and francophone performing arts scene during the second half of the 20th century. The interior has preserved the aesthetic of early 20th-century Left Bank cabarets, which remains one of the venue's main visual and atmospheric draws today. What can visitors see there today? The programming at L'Os à Moelle remains varied, including cabaret shows, comedy nights, concerts, theatre productions and improvisation performances. The offering is aimed at a broad audience — both Brussels residents looking for an intimate evening of entertainment and visitors interested in a less obvious but genuinely authentic side of the city's cultural life. What is the atmosphere like? Visitors often note the warm and welcoming atmosphere of the hall, which encourages close contact between performers and the audience — typical of the traditional cabaret format, where stage and seating share the same compact space. The underground character of the venue, combined with the building's history and its proximity to Jacques Brel's birthplace, creates a unique blend of architecture, history and living stage culture. Frequently asked questions Is L'Os à Moelle a restaurant? No — it is primarily a cabaret and theatre venue, though food service may be available during certain events. Where exactly is it located? At Avenue Émile Max 153, in the Schaerbeek district of Brussels. Why is this place historically significant? It has operated continuously since 1960 as the city's oldest cabaret and sits beneath the house where Jacques Brel was born. What kind of events take place here? Cabaret, comedy, concerts, theatre and improvisation.

Stadsschouwburg Sint-Niklaas

Sint-Niklaas

Stadsschouwburg Sint-Niklaas is the main cultural venue of the Belgian city of Sint-Niklaas, in the East Flanders province, located just a short walk from the Grote Markt, the city's central square. The theatre occupies a corner building that was once adjoining, and partly shared architecture with, the local Academy of Fine Arts. It was constructed at the end of the 19th century and has since remained one of the city's key gathering points for live culture. What does the venue consist of? The complex is built around two main performance spaces. The larger of the two is the main theatre hall, used for the biggest productions, ranging from drama to musical and cabaret shows. The second, smaller space is known as Museumtheater Zwijgershoek, reserved for more intimate performances aimed at smaller audiences. This division allows the venue to adapt its programming to the scale and character of each event. What kind of programme does it offer? Every year, Stadsschouwburg Sint-Niklaas draws thousands of visitors with a varied line-up that includes theatre plays, music concerts, cabaret shows, comedy programmes and family-friendly performances. This range means the venue serves both adult theatre-goers and families looking for entertainment suitable for children. The theatre operates as part of the city's broader cultural house (cultuurhuis) network in Sint-Niklaas, alongside other local cultural institutions. How was the building renovated? Between June 2024 and January 2025, the building underwent a thorough interior renovation. Rather than pausing all activity, the city set up a temporary pop-up theatre in the nearby 't Bau-huis building, allowing the cultural programme to continue uninterrupted during construction. The Stadsschouwburg reopened its doors in late January 2025, marking the occasion with a festive opening festival that welcomed residents eager to see the refreshed interior. What changed after the renovation? Following the work, the theatre now offers 431 comfortable seats, and the hall has been adapted with accessibility in mind, making the venue highly wheelchair-accessible. The renovated interior aims to create a warm, welcoming atmosphere suited to both intimate shows and larger cultural events. Frequently asked questions Where exactly is the theatre located? In a historic building close to the Grote Markt, the main square of Sint-Niklaas. How many seats does the main hall have after the renovation? 431 seats. Is the venue accessible for wheelchair users? Yes, following the renovation the building is highly wheelchair-accessible. What kind of events are held here? Theatre plays, concerts, cabaret, comedy and family performances. Is there more than one performance space in the building? Yes — besides the main hall, there is a smaller space called Museumtheater Zwijgershoek, used for more intimate events. When was the theatre closed for renovation? From June 2024 to January 2025, with a temporary replacement stage set up at 't Bau-huis.

Eigentijdse Werkgroep Theater

Antwerpia

EWT (Eigentijdse Werkgroep Teater) is one of the oldest independent theatre companies in the Antwerp region, based in the Deurne district. The group was founded in 1958 on the initiative of Lode Hendrickx, originally under the name Experimentele Werkgroep voor Toneel (Experimental Theatre Workshop). The name was later changed to Eigentijdse Werkgroep voor Theater, which gave rise to the shortened form used today, EWT. Where did the group come from? The company was formed by former members of avant-garde theatre formations active at the time — Nevelvlek, De Koperen Haan, and Theater op Zolder. This background shaped EWT's early repertoire, which leaned heavily into absurdist theatre, a style widely explored across postwar Europe by independent stages looking for an alternative to conventional programming. What were the group's first years like? Before settling into a permanent home, the company moved through several makeshift venues. Its first performances took place in the Hessenhuis, a historic warehouse in central Antwerp, though fire-safety concerns cut that arrangement short. The group then relocated to a small attic space on the Paardenmarkt, measuring only about 10 by 10 metres, followed by a spell at a location on Leysstraat. These modest conditions reflect just how improvised and grassroots the independent theatre scene in the city was at that time. Why did Deurne become the theatre's home? A turning point for the company came when the municipality of Deurne provided it with a permanent building. This made EWT the first suburban theatre in Flanders — an institution operating outside Antwerp's city centre, yet fully professional in terms of programming and performance frequency. The original hall seated 100 spectators. In 1979 the venue was renovated and expanded, raising capacity to 134 seats, a sign of the company's growing popularity and its increasing stability over the following decades. What does EWT offer today? The theatre at Hertstraat 2 in Deurne continues to run a regular performance schedule, staging its own productions while also hosting guest performances from other companies as part of its dedicated guest-production programme. Frank De Kaey serves as the company's artistic director. Audiences can follow the current programme and book tickets through the theatre's official website, and can also get in touch by phone or email for questions about events and ticketing. Frequently Asked Questions Where exactly is EWT theatre located? At Hertstraat 2, in the Deurne district, part of the greater Antwerp area. When was the company founded? In 1958, as Experimentele Werkgroep voor Toneel, on the initiative of Lode Hendrickx. How many seats does the theatre hall have? Following its 1979 expansion, the hall seats 134, up from the original 100. What defined the group's repertoire in its early years? An absurdist, avant-garde character rooted in the tradition of formations such as Nevelvlek and Theater op Zolder. Does EWT only stage its own productions? No — alongside its own repertoire, the theatre also hosts performances by other companies through a separate guest-production programme.

CC De Steiger

CC De Steiger is a cultural center in Menen, a town on the Belgian-French border in West Flanders. The building stands at Waalvest 1, on ground that until the late 1960s was part of the Lys (Leie) riverbed – the parking area next to the center now occupies what used to be an inner river harbor. That history is even embedded in the name itself: "steiger" is Dutch for a jetty or scaffolding, evoking both mooring and returning home, and setting off toward new challenges and unfamiliar horizons – a duality the center deliberately carries into its programming. What you can see and do CC De Steiger combines the functions of a concert and theater venue, an exhibition gallery, and a public institution. Its calendar regularly features music concerts (spanning blues, rock, and performances by local bands), theater productions, film screenings, stand-up comedy, and visual art exhibitions. The exhibition space covers 450 square meters and is equipped with pedestals, display panels, and professional lighting, allowing it to host anything from painting shows to larger installations. Under the same roof as the cultural center sit the city's public library and the Menen city archives, making CC De Steiger one of the town's key public hubs – a place where a single visit could include borrowing a book, catching a concert, and browsing historical records. 't Schippershof museum CC De Steiger also manages the city museum 't Schippershof, housed in a carefully restored 17th-century building. The historic architecture has been adapted for a contemporary museum display, creating a deliberate contrast between an old structure with its character intact and a modern way of presenting the collection. The name recalls Menen's shipping and bargeman past, tied to the Lys river that once flowed right alongside it. Why it's worth a visit Menen sits right on the border with France, making CC De Steiger a natural stop for anyone exploring the Flemish-French border region. It's a place where several layers meet: the town's current cultural life – concerts, theater, exhibitions – overlapping with its river and harbor history, still legible in the site itself and its buildings. For visitors interested in local culture and history, it's a sensible stop on an itinerary, especially paired with a visit to 't Schippershof. Frequently asked questions Where exactly is CC De Steiger located? At Waalvest 1 in Menen, West Flanders, close to the border with France. What can you see at CC De Steiger besides concerts? Visual art exhibitions in a 450 m² exhibition hall, theater performances, film screenings, and the city's public library and archives housed in the same building. What is 't Schippershof? A city museum managed by CC De Steiger, located in a restored 17th-century building that reflects the town's shipping history. Where does the name "De Steiger" come from? It refers to a jetty or scaffolding and symbolizes both mooring and returning, as well as setting off toward new challenges – a nod to the former river harbor that occupied this site until the late 1960s.

CC De Wildeman

Herent

CC De Wildeman is a small, cozy cultural center in Herent, a town just outside Leuven in the Flemish Brabant region of Belgium. For more than a decade it has hosted both well-known names and local talent, offering theater, music and cabaret at affordable prices — no pretension, just genuine dedication to the stage. Where is CC De Wildeman located? The venue sits at Schoolstraat 15 in Herent. It's a convenient spot for residents of the Leuven area looking for cultural entertainment without traveling into a bigger city. The center operates as a local community cultural hub (also referred to as GC De Wildeman), meaning its programming stays closely tied to the everyday life of the Herent community. What can visitors expect to see? The lineup changes week to week, so there's something for nearly every taste. The program includes theater performances, live music across various genres, and cabaret shows. The venue's character is intimate — the hall doesn't overwhelm with size, which allows for closer contact between the audience and the performers. This sets CC De Wildeman apart from the large, anonymous concert halls or philharmonic venues found in bigger cities. How did Hangar 3020 come about? During the COVID-19 pandemic, when traditional cultural events were thrown into uncertainty, the team behind CC De Wildeman launched an initiative called Hangar 3020. It was designed to serve as a hub for artistic and cultural activity during a difficult period, bringing together music, theater, dance, visual arts, and film screenings under one roof. The fact that the center took this step reflects the flexibility and commitment of the local artistic community to keeping the town's cultural pulse alive even under the toughest circumstances. Is it worth a visit? For anyone seeking an authentic, small-scale cultural experience away from the commercial buzz of large arenas, CC De Wildeman is a worthwhile stop. It's a place where a ticket won't break the bank, and the program refreshes regularly, so it's worth checking the current schedule before planning a visit. Frequently asked questions Where exactly is CC De Wildeman located? At Schoolstraat 15 in Herent, close to Leuven. What kind of events take place at this center? Theater, live music, and cabaret, with a program that changes on a weekly basis. Is the center large? No — it's an intimate, local venue rather than a big convention arena, which allows for closer contact with performers. What is Hangar 3020? An initiative launched by CC De Wildeman during the COVID-19 pandemic, combining different art forms — music, theater, dance, visual arts, and film — in a single space. Are tickets expensive? The center markets itself as offering culture at "democratic" prices, accessible to a broad range of local residents. How can visitors find out about the current program? It's best to check the latest schedule before planning a visit, since the lineup changes regularly and follows local GC De Wildeman announcements.

Kursaal

Oostende

Kursaal is the grand seafront building in Ostend that has anchored the city's social and cultural life for more than 170 years. The structure standing today, completed in the early 1950s, is actually the third kursaal built on the same spot at Wapenplein — and by far the most imposing. Where did the building's story begin? The site's history starts in 1852, when Ostend coal merchant Louis Vanden Abeele secured a concession to run a casino and commissioned architect Hendrik Beyaert to design the first kursaal. Because Ostend was still a fortified military town at the time, and the seafront strip belonged to the army, the building had to be a temporary, easily demolishable structure — so it was built mostly out of wood. How did the building change over the decades? That timber structure did not last in its original form. A far sturdier successor rose between 1875 and 1878, designed by architects Félix Laureys and Joseph-Jean Naert. This second kursaal served residents and seaside visitors for decades, until the Second World War brought it down — in 1942 the building was demolished to make way for a German bunker, part of the Atlantic Wall coastal defense line. After the war, it took eight years before a new building replaced it on the same site. The current kursaal, designed by architect Léon Stynen, was built in 1950 using white Portland stone. This is the structure, completed in 1953, that still stands on Wapenplein today. What makes today's building stand out? The present-day Kursaal covers roughly one hectare, making it one of the largest venues of its kind in Europe — some sources describe it outright as the continent's largest casino. Architecturally, it is considered a defining example of post-war modernism in Belgium. Its interior is decorated with monumental murals by Paul Delvaux, one of the 20th century's leading Belgian surrealist painters, and these murals remain one of the main draws for visitors stepping inside. What is the building's status today? In 1998, Kursaal Oostende was officially recognized as a protected monument, confirming its architectural, artistic, and cultural value. Between 2003 and 2004 it underwent a major renovation: the main concert hall was reconfigured with more than 2,000 seats, and several additional multifunctional halls were added. Since 2024, the building has been undergoing a further transformation, backed by an investment of 25 million euros, aimed at converting the concert hall into a modern, modular space suited to contemporary events. Frequently asked questions Is the Kursaal still an operating casino? Yes, the building continues to function as a casino while also serving as a congress centre and concert venue, combining gambling with cultural programming. Who designed the current building? Belgian architect Léon Stynen designed the present kursaal, built in 1950 and completed in 1953. Why is the interior so distinctive? Because of the large-scale murals by Paul Delvaux, which decorate the main hall and give the space its unmistakable surrealist character. Is this the first kursaal on this site? No — it is the third building to serve this purpose on Wapenplein, following the wooden structure from 1852 and the masonry building from 1875–1878 that was destroyed during the war.

Het Bedrijf

Koksijde

Het Bedrijf is a performance hall and amateur theatre venue in Oostduinkerke, a district of the municipality of Koksijde on the Belgian North Sea coast. The building stands at Leopold II-laan 9a and has served for decades as a local cultural hub, best known as the home of the theatre group O.T.O. (Onafhankelijk Theater Oostduinkerke – Independent Theatre of Oostduinkerke). Where does the name come from and what is the history of the venue? The O.T.O. company was founded in 1995 and over the years built a strong reputation on the regional amateur theatre scene. The province of West Flanders singled out one of its productions, "Bloedbruiloft" ("Blood Wedding"), as a showcase example of what provincial amateur theatre could achieve. The group's repertoire also included other productions such as "IJsland, IJsland" and "Het Publiek". The hall's name, Het Bedrijf – literally "The Company" or "The Enterprise" – refers to the theatre group itself and the artistic work carried out there. What else took place at Het Bedrijf besides theatre performances? Beyond its own annual theatre production, O.T.O. ran a broader stage programme at the venue for 27 years, hosting guest performances by other groups and artists. Starting in 2011, the offering expanded to include intimate music evenings known as the "Café Foyer concertjes" – small-scale concerts held in the venue's café/foyer area. Is the artistic programme at Het Bedrijf still running today? After 27 years of operation, the hall no longer met the legal safety and building standards required, and the non-profit organisation (vzw) running the theatre could not afford the cost of bringing it up to code. As a result, the broader stage programme — the regular guest performances by outside groups — came to an end. This does not mean cultural life at the venue has stopped entirely: the Café Foyer concerts continue to be held at Het Bedrijf, preserving at least part of the building's original role as a local cultural venue. Who is this place for? Het Bedrijf is of interest mainly to visitors curious about local culture and the history of amateur theatre on the Belgian coast. It is not a large, commercially oriented cultural institution aimed at mass tourism, but rather a modest, community-driven venue, built up through volunteer effort over nearly three decades. Visitors to Oostduinkerke looking for something beyond the beach and dunes can check the current schedule of Café Foyer evenings if they want to experience this quieter, local side of the town. Frequently asked questions What is O.T.O.? It stands for Onafhankelijk Theater Oostduinkerke, an amateur theatre company founded in 1995 that operates out of the Het Bedrijf hall. Are events still held at Het Bedrijf today? Yes. While the broader stage programme ended because the hall no longer met legal standards, the intimate Café Foyer concerts still take place there. Where exactly is Het Bedrijf located? At Leopold II-laan 9a in Oostduinkerke, part of the municipality of Koksijde. What productions has the O.T.O. company staged? Among others, "Bloedbruiloft", recognised by the province of West Flanders as an exemplary amateur theatre production, as well as "IJsland, IJsland" and "Het Publiek".

Arenbergschouwburg

Arenbergschouwburg is a theatre in the heart of Antwerp, located in the district known as the Quartier Latin, just steps away from the city centre's main shopping streets. The building wasn't built as a theatre from the start — its story goes back to the mid-19th century and begins with an entirely different kind of institution. Where did this hall originally come from? The interior where performances now take place was originally the ceremonial hall of the Cercle artistique, littéraire et scientifique d'Anvers, an Antwerp arts, literary and scientific society founded in 1852. The building on Arenbergstraat, known as De stadt Sevillien, was renovated in 1864 to plans by architect Eugeen Gife. The work culminated in a formal opening ceremony on 18 August 1873, attended by King Leopold II and Queen Maria Henrietta — a sign of just how much civic importance the hall carried from the very beginning. When did it become a theatre? The building's function changed in 1929, when the former ceremonial hall was converted into a proper theatre hall. That conversion set the course for everything that followed. Another major turning point came in the 1960s, when a renovation gave the interior the layout closer to what visitors see today. Later modernisation rounds followed in the mid-1990s, and again in 2016 and 2022, each time updating both the halls themselves and the foyer and entrance areas. How many people can the venue seat? The main hall is shaped like a half-oval, with a ground floor and a balcony, seating up to 800 people. Alongside it sits a smaller stage, the Blackbox, fitted with a telescopic tribune: with the tribune in place it seats 92 people, while folding it away opens up the room for up to 150 people in a standing or more flexible layout. Who runs the theatre today? For decades, Arenbergschouwburg was operated by the Autonomous Provincial Company Arenbergschouwburg of Antwerp Province. On 1 January 2018, management passed to the city of Antwerp, and the theatre now operates as a separate pillar within the non-profit organisation Antwerpen Kunstenstad, which groups the city's cultural institutions. Frequently asked questions Is this one of Antwerp's oldest theatres? The building itself dates back to the 19th century, but it has only functioned as a theatre since 1929 — so while its architecture has a long history, its identity as a stage is somewhat younger. How many performance spaces does Arenbergschouwburg have? Two: the large main hall, seating up to 800, and the smaller, flexible Blackbox space. Has the building been renovated often? Yes. The biggest change was the 1929 conversion into a theatre, followed by a 1960s renovation, with further refreshes in the mid-1990s and again in 2016 and 2022. Who manages the theatre now? The city of Antwerp, through the non-profit organisation Antwerpen Kunstenstad, which took over from Antwerp Province in 2018.

De Kaekelaar

Schoten

De Kaekelaar is the main performance hall of Cultuurcentrum Schoten, a cultural center that has served this municipality just outside Antwerp since 1959, making it one of the oldest institutions of its kind in Flanders. The venue sits at Sint-Cordulastraat 10 in Schoten and hosts the majority of the center's theater shows, concerts, and film screenings. What happens inside De Kaekelaar? The hall seats around 400 people and is fully equipped for professional theater productions, with proper stage lighting, sound systems, and backstage facilities. The regular program includes drama performances, concerts — among them so-called aperitif concerts, intimate musical performances typically scheduled in the late morning or early afternoon — as well as film screenings and courses aimed at local residents. What makes this hall stand out? A defining feature of De Kaekelaar is its movable tribune seating. This system allows the space to be reconfigured quickly from a classic theater layout, with rows of seats facing the stage, into an open, multi-purpose hall suitable for standing events, fairs, banquets, or gatherings arranged with tables and chairs. That flexibility means the hall is used not only for cultural programming but also rented out for private and corporate events. What role does Cultuurcentrum Schoten play? Cultuurcentrum Schoten has a long institutional history, founded in 1959, and for decades it has been one of the pillars of cultural life in Schoten, a municipality bordering Antwerp. Besides De Kaekelaar, the center also organizes events at other locations within the municipality, including the local castle. Even so, De Kaekelaar remains the primary stage where the vast majority of the center's performances, concerts, and screenings take place. Who is this venue for? De Kaekelaar is a natural stop for anyone in the region interested in theater, classical or popular music, and film — the cultural center's program is varied and spans both adult-oriented events and educational offerings. For visitors passing through Schoten, the hall can make for an interesting evening activity, particularly if a festival, concert, or theater premiere happens to coincide with the visit. It's worth checking the current schedule before planning a stop, since the program changes seasonally. Frequently asked questions How many people can De Kaekelaar hold? The hall can accommodate roughly 400 spectators in a theater seating arrangement. Where exactly is De Kaekelaar located? The venue is located at Sint-Cordulastraat 10 in Schoten, in the province of Antwerp, Belgium. Can the hall be rented for private events? Yes — thanks to its movable tribune, the space can be converted into a multi-purpose venue and rented for events, conferences, or banquets; inquiries are handled through the Cultuurcentrum Schoten office. What kinds of events take place most often at De Kaekelaar? Most commonly theater performances, musical concerts (including intimate aperitif concerts), film screenings, and various courses and cultural activities organized by the center. Is De Kaekelaar the only hall used by Cultuurcentrum Schoten? No — the center also uses other locations within the municipality, but De Kaekelaar is its main and most frequently used performance venue.

Monty

Antwerpen

Monty Monty is an arts center in Antwerp's Het Zuid district, also known as Kultuurfaktorij Monty. It occupies a former cinema-theater hall on Montignystraat and has been one of the city's key stages for performing arts for decades. Where does the street name come from? Montignystraat takes its name from Count Florent de Montmorency, Baron of Montigny, a knight of the Order of the Golden Fleece and a representative of the Council of State under Philip II. The street was named in 1876. The entire neighborhood emerged on land freed up after the demolition of the Spanish fortifications and the former South Castle (Zuiderkasteel), which gave way to a new residential district in the second half of the 19th century. In 1897 the Sint-Michiel and Sint-Pieterkerk church was built there, becoming a focal point for the local community. How did a parish hall turn into an arts center? The building's history goes back to 1919, when the Werkmanskring Sint-Michiel, a workers' association, was founded and began meeting in a local hall known as 'De Grot', also on Montignystraat. In 1925, 'De Grot' underwent a major renovation, turning it into a drinking establishment and banquet hall. The actual theater and cinema building associated with Monty today was designed in 1958 by architect René Verbruggen, commissioned by NV Huize St. Michiel. When did Monty become a theater stage? The turning point came in 1984, when a group of volunteers with artistic ambitions took over the then-empty cinema hall. A year later, in 1985, the organization Monty vzw was formally established. Another key milestone was the 1987-1988 season, when the theater received official recognition from the Flemish government and began receiving subsidies — a status it still holds today as a Flemish government-subsidized institution. What is Monty today? Today Monty operates as an arts center focused on presenting, producing and developing performing arts — theater, dance and music. Its program includes small- and medium-scale productions from both local and international artists, making the venue a platform for artistic exchange that reaches well beyond Antwerp itself. The lineup is updated very frequently, so visitors planning a trip should check the current schedule shortly before arriving. Where exactly is Monty located? The center is located at Montignystraat 3-5, in a quiet part of the Het Zuid district — an area of Antwerp known for its post-19th-century urban redevelopment on former fortification land, now valued for its intimate, cultural character and proximity to other art institutions in the city. Frequently asked questions Is Monty a theater or a cinema? Historically the building served as a combined cinema and theater hall, but since the 1980s it has functioned solely as a theater stage and performing arts center. Since when has Monty vzw existed? The organization Monty vzw was founded in 1985 and received official recognition and government subsidies starting with the 1987-1988 season. Who is the street where Monty is located named after? Montignystraat is named after Count Florent de Montmorency, Baron of Montigny, a knight of the Order of the Golden Fleece and a representative of the Council of State under Philip II.

Le Forum

Liège

Le Forum is a historic performance hall in the centre of Liège, standing on rue Pont d'Avroy and regarded as one of Wallonia's most important cultural venues. Built in Art Deco style, it opened at the end of September 1922, designed by architect Jean Lejaer. Ever since, the hall has remained at the heart of the city's cultural life, adapting its role across the decades from a cinema into a concert and theatre stage. What does the building of Le Forum look like? The façade draws attention with elaborate sculpted decoration — floral motifs and a frieze depicting ten allegorical figures in bas-relief, each symbolising a different form of the performing arts. The interior is equally striking: 386 restored stained-glass panels have survived inside, and the space is lit by around 15,000 light bulbs that highlight the friezes, mouldings and chandeliers. Because of its historical and artistic value, the building has been listed as exceptional heritage of the Walloon Region. What role does the hall play today? Le Forum is a modular venue that can be adapted to events of different scales, seating between 600 and 2,000 people depending on configuration. Since 1989 it has served as the flagship entertainment venue of Wallonia, hosting concerts, theatre productions, musicals, ballet performances and comedy shows for audiences from Liège and across the wider Euroregion. Which artists have performed at Le Forum? Over the decades, the stage of Le Forum has welcomed some of the biggest names in twentieth-century music. Performers here have included Jacques Brel, Léo Ferré, Louis Armstrong, Ray Charles, Miles Davis, Ella Fitzgerald, Edith Piaf, Barbara and Charles Aznavour. This roster illustrates how significant a place the hall holds in the history of the European music and stage scene, spanning jazz, French chanson and some of the most acclaimed performers of their eras. Why is Le Forum worth visiting while in Liège? For visitors exploring Liège, Le Forum links architectural history with a living cultural scene. The building itself, with its richly decorated façade and stained-glass-filled interior, exemplifies the attention to detail typical of 1920s Art Deco design. At the same time, the hall still operates according to its original purpose — it is not a museum or a sealed-off monument, but an active venue for live performances, letting visitors see how historic architecture continues to coexist with a contemporary cultural programme. Frequently asked questions Where exactly is Le Forum located? The hall stands on rue Pont d'Avroy in the centre of Liège. How many people can the hall seat? Depending on the configuration, between 600 and 2,000 spectators. When was the building constructed? It opened at the end of September 1922. What kind of events take place at Le Forum? Concerts, theatre productions, musicals, ballet and comedy shows. Is the building a protected heritage site? Yes, it is listed as exceptional heritage of the Walloon Region.

HETPALEIS

Antwerpia

HETPALEIS is the largest performing arts centre for children and young people in the Benelux region, based in the heart of Antwerp. It is a house where theatre meets audiences of every age — from young children through teenagers to adults — who are treated as fully-fledged spectators, discussion partners, participants, and sometimes creators themselves. What is HETPALEIS? HETPALEIS is not confined to a single artistic discipline. The institution presents and produces work spanning various performing art forms — theatre, dance, and productions that combine musical and visual elements — with the aim of making high-quality culture accessible to a large, urban, and diverse audience. The programming philosophy holds that young audiences deserve just as ambitious a repertoire as adults, so HETPALEIS productions frequently tackle socially relevant themes, presented in ways that remain accessible and engaging across age groups. Scale of activity The scale of HETPALEIS's operations is considerable. In its own theatre, the venue stages an average of around 250 performances per year, reaching roughly 50,000 spectators. Alongside this, the institution runs an active touring programme, presenting an average of about 100 performances away from its home venue, reaching a further 20,000-plus spectators. This means HETPALEIS's reach extends well beyond Antwerp itself, building connections with local stages and audiences across the wider region. Who is HETPALEIS for? The name "hetpaleis" — literally "the palace" — reflects the venue's standing in Antwerp's cultural landscape as a flagship institution for youth theatre in the region. Its programme is aimed at a broad cross-section of audiences: preschoolers, primary and secondary school pupils, their parents and guardians, as well as adults drawn to socially engaged theatre. Productions are designed as starting points for conversation — whether in a classroom or at home — about issues young people encounter in everyday life. Frequently asked questions Is HETPALEIS a theatre only for children? No — while its programming is centred on children and young people, the offering also includes productions aimed at adult audiences, particularly those interested in the social themes explored on stage. Where exactly is HETPALEIS located? The institution is based in the centre of Antwerp, making it one of the city's notable cultural landmarks. Does HETPALEIS only perform at its own venue? No — besides the productions staged at its own theatre (around 250 per year, roughly 50,000 spectators), the company regularly tours, presenting about 100 performances a year away from home and reaching more than 20,000 additional spectators. What role does HETPALEIS play in the Benelux region? It is described as the largest performing arts centre for children and young people in the entire Benelux area, giving it significance that extends well beyond Antwerp or Belgium alone. For visitors to Antwerp, checking HETPALEIS's current programme can be worthwhile — even for those who don't speak Dutch, some productions, particularly dance-based or visually driven ones, can be an accessible and rewarding part of a cultural itinerary in the city.

Théâtre du Vaudeville

Bruksela

Théâtre du Vaudeville is a historic event hall tucked inside the Galerie de la Reine, one of three covered arcades that together form the famous Galeries Royales Saint-Hubert in central Brussels. Despite its name, the venue today functions primarily as a multi-purpose event space, but its story stretches back to the mid-19th century and is closely tied to the creation of the arcades themselves. Where did this place come from? The building that now houses the Vaudeville was designed in 1847 by architect Jean-Pierre Cluysenaar, the same man behind the entire Galeries Royales Saint-Hubert complex. It originally opened as a covered flower market, fully glazed so that natural light flooded the interior while the space still felt like an open-air market despite being roofed. The supporting structure relied on cast-iron columns, some of which have survived and remain visible inside the hall today. The flower market, however, failed to deliver the financial returns the arcades' management company had hoped for. As a result, by November 1851 the premises had already been converted into an estaminet, a traditional Belgian tavern-café blending social and cultural life under one roof. How did a flower market become a theatre? The next transformation came in the 1880s. In 1884 the venue reopened under the name Casino Saint-Hubert, offering concerts and entertainment within the elegant setting of the Galerie de la Reine. Over time the hall took on the name by which it is known today, Théâtre du Vaudeville, referencing the light, musical entertainment genre popular at the time. In 1926 the interior gained an Art Deco hall designed by architect Ide, while the rest of the space retained its earlier, more ornate character, with gilded stucco and decorative details echoing the 19th-century aesthetic of the arcades. The golden years and heritage status Théâtre du Vaudeville reached its peak popularity between 1947 and 1970, regularly drawing audiences for performances and cultural events. Its historical and architectural value was formally recognised on 17 April 1997, when the hall was granted protected heritage status. What can you find there today? In 1974 the venue was converted into a private club, and it has since been renovated in a way that preserved its historic character while adapting it to contemporary needs. Today it operates as a flexible event space of roughly 250 square metres, used for seated dinners, fashion shows, dance parties, and corporate or private events. In recent years it has also hosted Candlelight concert series performances. Frequently asked questions Is Théâtre du Vaudeville still an operating theatre? Not in the traditional sense — today it functions mainly as an event venue, though cultural and concert events still take place there. Where exactly is it located? Inside the Galerie de la Reine, part of the historic Galeries Royales Saint-Hubert complex in central Brussels. What's worth seeing inside? The cast-iron columns left over from the original flower market, alongside the 1926 Art Deco hall that contrasts with the gilded stucco of the rest of the space. Is the building legally protected? Yes, it has held heritage status since 17 April 1997.

't Arsenaal

Mechelen

't Arsenaal is a theatre in Mechelen tucked into greenery right in the city centre, standing beside the Dijle river and next to the city's botanical garden, the Kruidtuin. The venue sits on Hanswijkstraat, occupying former buildings that belonged to the Church Factory of Our Lady of Hanswijk — placing it directly next to the historic Hanswijk basilica and inside the grounds of the former Hanswijk monastery, where the theatre has operated since 1982. Where does the name and history come from? The name "Arsenaal" reflects the earlier use of the buildings, but the theatrical institution itself traces its roots to the Mechels Miniatuur Teater (MMT), founded in 1956. This small chamber stage gradually grew into a full theatre house, and in the 2002-2003 season it formally folded the MMT's legacy into its identity as theater arsenaal. What does the building itself offer? The complex consists of two theatre halls connected by a bridge over the Dijle directly to the Kruidtuin botanical garden — an unusual pairing of theatre architecture with green space in the heart of the city. Beyond the performance halls, the venue includes a foyer, the so-called White Hall (Witte Zaal), the Great Hall (Grote Zaal), a mezzanine, and a rehearsal room. The largest room seats up to 220 people for catered events and holds up to 300 for standing receptions. Because of this, 't Arsenaal is rented out not only for performances but also for receptions, corporate and family dinners, exhibitions, seminars, and meetings. Who shapes the programme today? Since 2017, the resident company has been LAZARUS, which together with Ruud Gielens and Sarah Eisa sets the artistic policy of the house. LAZARUS is made up of Günther Lesage, Joris Van den Brande, Pieter Genard, Ryszard Turbiasz, and Koen De Graeve. The theatre operates under the combined name arsenaal/lazarus, pairing the venue's brand with that of its resident company. What is the theatre's artistic profile? 't Arsenaal both produces its own shows and hosts guest performances from other companies, runs a café, and organizes small- and large-scale city projects, making it an active part of Mechelen's cultural life. Over the years the stage has produced works including "Une liaison pornographique," "Hoffmann," "PUIN," "De Pruimelaarstraat," "Hitler is dood" directed by Stijn Devillé, "FEBAR," and a remake of "De Kollega's" — a body of work reflecting a varied and often daring artistic profile. Frequently asked questions Is 't Arsenaal a single building or a group of halls? It's a complex of two theatre halls linked to the surroundings by a bridge over the Dijle, along with a foyer and additional rooms (Witte Zaal, Grote Zaal, mezzanine) plus a rehearsal room. How many people can the largest hall hold? Up to 220 people seated with catering, and up to 300 for a standing reception. Who currently runs the artistic programme? The company LAZARUS, resident at the theatre since 2017, together with Ruud Gielens and Sarah Eisa. Where does the theatre's name come from? The institution originates from the Mechels Miniatuur Teater, founded in 1956; it later took the name and home "arsenaal," operating from the former monastery buildings on Hanswijkstraat since 1982. Can the venue be rented for non-theatrical events? Yes — beyond performances, 't Arsenaal is used for receptions, corporate and family dinners, exhibitions, seminars, and meetings.

Comédie Claude Volter

Woluwe-Saint-Pierre - Sint-Pieters-Woluwe

Comédie Claude Volter Comédie Claude Volter is a neighbourhood theatre in the municipality of Woluwe-Saint-Pierre, on the eastern edge of Brussels, known to local audiences for more than sixty years as a place where classic French-language drama meets lighter comedy programming. Who founded the theatre and why? The venue was established in 1957 by the actor Claude Volter together with his wife, actress Jacqueline Bir. It was created in cooperation with the Woluwe-Saint-Pierre municipal authorities, with the explicit goal of bringing classical theatre programming within reach of local residents without requiring a trip into central Brussels. Claude Volter ran the theatre himself until his death in 2002, at the age of 69. The stage carries his name in tribute, and since 2003 artistic and organisational direction has been in the hands of Michel de Warzée, who has continued the programming line set by the founder. What does the building look like inside? The theatre is located at Avenue des Frères Legrain 98, in a quiet, residential part of Woluwe-Saint-Pierre. The complex includes a main auditorium seating 165 people and a smaller foyer space that can hold up to 90 spectators. The foyer is used for more intimate performances, readings, and side events that complement the main programme, letting the theatre run two parallel strands: full productions on the main stage and smaller-scale shows in the secondary space. What kind of plays are staged here? The programming at Comédie Claude Volter combines major titles from the French-language classical repertoire with comedies of manners and plays built around historical themes. The theatre aims for accessibility, targeting a broad, family-oriented audience rather than a narrow circle of drama specialists. Its seasons mix works by classical authors with lighter, contemporary comedies, a combination designed to draw in spectators of different ages and tastes. What happened for the theatre's 50th anniversary? In 2007, to mark the theatre's fiftieth anniversary, an exhibition dedicated to the history of Comédie Claude Volter was organised in Woluwe-Saint-Pierre. The exhibition traced the venue's path from its modest beginnings in the 1950s, through the years under its founder's direction, to its continuation under later artistic directors. The anniversary event underlined the theatre's standing as one of the more significant local cultural institutions in eastern Brussels. Frequently asked questions Who founded Comédie Claude Volter? The theatre was founded in 1957 by actor Claude Volter and his wife, actress Jacqueline Bir, with support from the Woluwe-Saint-Pierre municipality. How many seats does the auditorium have? The main hall seats 165 people, with an additional 90 seats in the adjoining foyer. Who currently directs the theatre? Michel de Warzée has led the theatre since 2003. What kind of repertoire does the theatre offer? A mix of classic French-language plays, comedies of manners, and historically themed works aimed at a broad audience. Where exactly is the theatre located? At Avenue des Frères Legrain 98, in the municipality of Woluwe-Saint-Pierre, in eastern Brussels.

Rock Werchter

Rotselaar

Rock Werchter is an annual rock music festival held in the village of Werchter, near Leuven in Belgium. The event has taken place every year since 1976 and ranks among the largest rock music festivals in the world in terms of scale and attendance. Where exactly does the festival take place? The festival grounds are located in the village of Werchter, part of the municipality of Rotselaar, close to the university city of Leuven. The site sits at geographic coordinates 50.968056° latitude and 4.684167° longitude. For a few days each year, this small village turns into one of the most important stops on Europe's live music map. How long has Rock Werchter been running? The festival's history dates back to 1976, and it has been held annually ever since. This unbroken, decades-long tradition has helped Rock Werchter build a strong reputation among rock music fans across Europe, making it one of the most recognizable music festivals on the continent today. How big is the event? The scale of the festival is considerable. The site can host up to 88,000 guests per day. Of these, 67,500 attendees hold passes covering all four days of the festival. Counting all the different individuals attending across the separate festival days, the maximum total number of distinct attendees reaches as many as 149,500. These figures place Rock Werchter among the large rock festivals with genuine worldwide reach. What awards has the festival received? Rock Werchter has repeatedly received the prestigious Arthur Award, presented at the International Live Music Conference (ILMC) for the best festival in the world. The festival earned this recognition in 2003, 2005, 2006, 2007, 2012, and 2014. Receiving this award so many times over the years reflects a consistently high standard of organization and artistic programming. Frequently asked questions Where is Rock Werchter held? The festival takes place in the village of Werchter in Belgium, near the city of Leuven, within the municipality of Rotselaar. Since when has the festival existed? Rock Werchter has been held every year continuously since 1976. How many people can attend the festival? The festival grounds can host up to 88,000 people per day, with a maximum total of 149,500 different attendees across the whole event. How many attendees hold passes for all festival days? 67,500 attendees combine all four days of the festival using multi-day passes. What awards has Rock Werchter won? The festival has received the Arthur Award for best festival in the world, presented at the International Live Music Conference, on six occasions: 2003, 2005, 2006, 2007, 2012, and 2014. What kind of music dominates the festival? Rock Werchter is a festival centered on rock music and counts among the large-scale rock festivals with worldwide significance.

Théâtre des Marionnettes Royal Ancien Impérial Musée Tchantchès

Liège

Théâtre des Marionnettes Royal Ancien Impérial – Musée Tchantchès is one of the most unusual places in Liège, blending a living puppet theatre tradition with a museum experience. It sits at 56 Rue Surlet, right in the heart of Outremeuse – the district that jokingly declares itself a separate "free republic" within the city and takes particular pride in preserving local folklore. Where did these puppets come from? The theatre's roots go back to the mid-19th century. Alexandre Ferdinand Pompée Conti, who arrived from Tuscany, settled in Belgium in 1854 and eventually made his home in Liège, bringing with him the Italian tradition of puppet theatre. Over time the venue took the name "théâtre royal ancien impérial" – though it remains unclear whether the "imperial" reference points to Napoleon or to Charlemagne, who plays a significant role in the region's own legends. Who is Tchantchès? Tchantchès isn't just the puppet after which the museum is named – he's a symbol of Liège's identity. The character is portrayed as a cheeky, quick-witted resident of Outremeuse, embodying the local spirit and sense of humour. A whole tradition has grown up around him: each year the district's oldest resident receives a special costume, which is later added to the museum's collection. The collection At the heart of the museum stands a set of 129 puppets crafted by Denis Bisscheroux, a sculptor and puppet-maker whose work is still regarded as a benchmark for the Liège puppet tradition. Since 15 January 1967, his puppets have had a permanent home here, at the Musée Tchantchès on Rue Surlet. Besides the puppets themselves, visitors can see costumes, props, and memorabilia tied to the theatre's history and to the figure of Tchantchès. A living theatre, not just an exhibit What sets this place apart from a typical museum is that the theatre is still active. The puppets aren't confined behind glass – they regularly come to life on stage during performances held from October to April, on Sunday mornings and Wednesday afternoons, as well as by special request for groups. This gives visitors the chance to see puppet animation technique performed live, much as it has been for generations. Why visit? The site stands out for several reasons. First, it demonstrates a rare continuity of tradition – the same theatre, the same art form, passed down almost without interruption since the 19th century. Second, it offers a window into Liège's local identity that guidebooks rarely capture – genuine urban folklore that is still practiced today, not merely displayed. Third, a visit combines museum elements – a collection, history, craftsmanship – with live entertainment, making it appealing both to adults interested in history and to families with children. Frequently asked questions Where exactly is the museum located? At 56 Rue Surlet, in the Outremeuse district of Liège. Who created the main puppet collection? Denis Bisscheroux, a sculptor and puppet-maker, author of the 129 puppets that form the core of the collection. Since when have the puppets been housed here? Since 15 January 1967. Can visitors see a live performance? Yes, shows run from October to April on Sunday mornings and Wednesday afternoons, and can also be arranged for groups on request. How did the theatre come about? It traces back to 1854, when Alexandre Ferdinand Pompée Conti, who had arrived from Tuscany, settled in Liège and started the local puppet theatre tradition.

Paden van de Waaienberg

Tervuren

Paden van de Waaienberg is a private sculpture garden tucked away in Duisburg, a village that forms part of the municipality of Tervuren, right on the edge of the Sonian Forest (Zoniënwoud). For more than two decades, sculptor Tom Frantzen has been shaping this three-hectare plot into an organically grown space where nature and art blend into a single experience. The name "Paden" (paths) reflects the way the garden is meant to be explored: winding trails lead visitors between trees, ponds and greenery, revealing a new sculptural composition at almost every turn. What is there to see in the garden? The grounds hold around one hundred sculptures by Tom Frantzen, whose personal style is described as "contemporary Flemish fantastic art." Many of his works take the shape of spatial, bronze "cartoons" – elaborate figurative scenes that combine humour, grotesque imagery and reflections on the human condition. The best-known piece is "The March of Human Insanity" ("De Mars van de Menselijke Waanzin"), a 26-metre-long sculptural group housed inside two former grapevine greenhouses that have been repurposed to display art. These greenhouses, alongside the open-air paths through the garden, create the site's distinctive contrast between an intimate, sheltered display and a sprawling outdoor collection. How is the garden organised? This is not an institutional museum but a private collection, run without public subsidies – effectively the artist's own museum-garden. That shapes how it can be visited: the site is not open daily but only seasonally, from April through October, and exclusively through guided tours. Visits take place on a recurring schedule, every two weeks on Sundays at 14:30, and advance booking is required. This format keeps the experience intimate and unhurried, with a guide leading small groups through the garden and explaining the individual sculptures along the way. Where exactly is it located? The entrance to the garden is at Waaienberg 17 in Duisburg, a small locality that administratively belongs to the municipality of Tervuren, east of Brussels. Its proximity to the Sonian Forest – a vast, UNESCO-listed forest complex – makes it easy to combine a visit to the sculpture garden with a walk along the surrounding forest trails. Frequently asked questions Is the garden open all year round? No – visits are seasonal, running from April to October. Can visitors explore the garden on their own, without a guide? No, visits take the form of guided tours held on a recurring Sunday schedule, and advance registration is required. Who created the sculptures? All the works were created by Belgian sculptor Tom Frantzen, whose style is described as contemporary Flemish fantastic art. How many sculptures are in the garden? The collection includes roughly one hundred sculptures spread across three hectares. What is "The March of Human Insanity"? It is the garden's most elaborate work: a 26-metre sculptural group housed inside two former grapevine greenhouses.

Huis van Herman Teirlinck

Beersel

Huis van Herman Teirlinck is a villa and former writer's home in Beersel, in the Flemish Brabant region of Belgium, today reborn as a cultural centre and meeting place for writers, artists and readers. The house sits on the Uwenberg hill, with views over the rolling countryside south of Brussels. Who was Herman Teirlinck? Herman Teirlinck (1879–1967) ranks among the most versatile Flemish writers of the twentieth century, known for novels, plays and essays, as well as for his broader influence on literary and cultural life of his time. He lived in this house on the Uwenberg from 1936 until his death in 1967, and much of his later work was written within its walls, making the building inseparable from his biography. Who designed the villa? The construction of the house was advised by Henry van de Velde, one of Belgium's best-known art nouveau architects and designers. His influence is visible in the simplicity of the building's form and in how closely it relates to its garden setting, favouring understated lines over ornamentation. What happened to the house after the writer's death? After Teirlinck's death, the house remained in private hands for years until the municipality of Beersel purchased it in 1979. The task of creating a museum dedicated to the writer's life and work was given to artist Kris Vanhemelrijck, and in 1981 the site opened as the Herman Teirlinckhuis, combining a biographical museum with an art gallery. Budget constraints eventually forced the municipality to close the museum in 2014 and put the property up for sale. That same year, however, the villa — together with its garden and two lower-lying plots — was granted protected monument status, safeguarding it from demolition or irreversible alteration. What is the site like today? Following extensive restoration, the house reopened to the public in November 2021, this time in a new role. Rather than functioning as a traditional museum with display cases, Huis van Herman Teirlinck now operates as a living cultural centre — a meeting place for writers, artists, readers and walkers, offering a warm and welcoming space for artistic exchange in an informal atmosphere. The upper floor houses a writer's residency, where authors can seek inspiration in the same surroundings that once inspired Teirlinck himself. What else is worth seeing nearby? The house stands within a garden that is itself part of the protected heritage site, overlooking the hilly landscape of the Pajottenland, an area known for its tree-lined lanes and traditional farmsteads. This combination of literary heritage and scenic countryside makes the site well suited to a visit that pairs a look inside the house with a walk through the surrounding hills. Frequently asked questions Is Huis van Herman Teirlinck still a museum? Not in the traditional sense — today it functions primarily as a cultural centre and meeting place, though the building still tells the story of its former resident. When did the house reopen to visitors? In November 2021, following years of restoration after the earlier museum closed in 2014. Is the building a protected monument? Yes, the villa, its garden and adjoining plots were granted protected heritage status in 2014. Who designed the house? Architect Henry van de Velde, a leading figure of Belgian art nouveau, advised on its design.

Tuin der Onlusten

Tuin der Onlusten is an unusual sculpture garden in Alsemberg, part of the municipality of Beersel in Belgium, located at Klutsstraat 24. The name translates roughly as "Garden of Unrest" or "Garden of Distress," and the project belongs to the Nieuwe Vlaamse Primitieven (New Flemish Primitives) art movement — a place where contemporary art meets nature in a way rarely found elsewhere in the region. Who created this garden? The garden is the work of artist Al Balis, who developed it together with fellow creators Mehdi Khammal and the Beg-Tsé Expo collective. Together they turned a private property in Alsemberg into an open-air exhibition space, where sculptures and installations blend directly into the surrounding vegetation. What are the sculptures made of? A defining feature of the garden is the raw material behind its artworks. The artists work with scrap metal and other waste, giving it a second life as surprising, often grotesque constructions. These unconventional pieces are combined with a deliberately unusual selection of plants and a carefully designed garden layout, creating an atmosphere that is hard to mistake for a typical sculpture park. What do the artworks depict? The works on display at Tuin der Onlusten are not detached from reality — they draw on current social themes. Among the recurring subjects found in the sculptures and installations are references to the coronavirus pandemic, the situation of refugees, and processes of emancipation. This means the garden functions not only as an art gallery but also as a commentary on contemporary issues, expressed through waste material transformed into art. How does art relate to nature here? A constant element of the garden's concept is the interaction and integration of art with its natural surroundings. The sculptures don't stand in a sterile exhibition space; instead, they "live" to the rhythm of nature — changing with the seasons, becoming overgrown with plants, and forming part of the garden's living ecosystem. The idea is to create pleasant conditions for experiencing art and nature together, without artificially separating the two. Can the garden be visited at any time? No — Tuin der Onlusten is not a public park open every day. It is accessible to visitors only on designated open days, which gives a visit the character of an event rather than a routine walk. It's worth checking local announcements or the Beersel municipality's website before planning a trip, to make sure the gate is actually open to the public on that date. Why visit Tuin der Onlusten? This is a destination for travelers looking for something different from the classic attractions of the Beersel area — instead of historic walls or period interiors, it offers an encounter with contemporary art set within a garden landscape. The combination of recycling, social commentary, and a natural setting makes Tuin der Onlusten stand out among the typical attractions near Brussels. Frequently asked questions Where exactly is Tuin der Onlusten located? In Alsemberg, part of the municipality of Beersel, at Klutsstraat 24. Who created the sculptures? Artist Al Balis, together with Mehdi Khammal and the Beg-Tsé Expo collective, as part of the Nieuwe Vlaamse Primitieven movement. What materials are the sculptures made from? Mainly scrap metal and other waste materials, transformed into original artistic forms. Is the garden open all year round? No, it is only accessible on selected open days announced by the organizers.

Labanque

Béthune

Labanque is a contemporary art centre in Béthune, housed in the former Bank of France branch building on Place Clemenceau. What was once a working financial institution has been transformed into a space dedicated to the production and presentation of visual art. Why is it called Labanque? The name is a direct nod to the building's original purpose. The Bank of France opened a branch in Béthune in 1910, with construction of the building completed in 1912 and an extension added in 1924. The branch remained in operation until it closed to the public in July 2006. Just a year later, in October 2007, the same premises reopened as Labanque, an institution devoted to contemporary visual arts. What does the building look like? The facade is built in a neo-Louis XIII style, combining red brick with dressed stone, and stands out as a distinctive landmark on Place Clemenceau. Inside, the building retains an elaborate Art Deco decorative scheme that reflects the former prestige of the bank branch. The conversion to a cultural venue did not erase traces of its financial past — visitors can still see reminders of its banking history, including the former vault room, archive spaces, and what used to be the branch director's private apartments. What happened to the building after the bank closed? Between 2012 and 2015 the building underwent an extensive renovation. The work brought the site up to current standards, improved accessibility for visitors with reduced mobility, and created new spaces and functions within the structure. This modernisation allowed the former bank to operate fully as a contemporary cultural institution while preserving its historic architectural character. How much exhibition space does Labanque have? Labanque now offers more than 1,500 square metres of exhibition space spread across four floors of the building. This scale allows several exhibitions or large-scale artistic projects to be presented at the same time, making it one of the more significant contemporary art venues in the Hauts-de-France region. What kind of institution is Labanque? Labanque operates as a centre for both the production and the diffusion of visual arts. In practice, this means the institution does more than display finished works: it also supports artists while they develop new pieces, often conceived specifically for the unusual spaces of the former bank. This combination of gallery, studio, and experimental space shapes the identity of the venue. Frequently asked questions What was the Labanque building originally used for? It was a branch of the Bank of France in Béthune, opened in 1910 and operating until July 2006. When did the Labanque art centre open? The contemporary art institution opened in the same building in October 2007. What traces of the building's banking past remain? Visitors can still see the former vault room, archive spaces, and the branch director's former apartments. How large is the exhibition space? More than 1,500 square metres spread across four floors of the building. Has the building been renovated? Yes, a major renovation took place between 2012 and 2015 to modernise the site and improve accessibility.

Centre d'Art Contemporain du Luxembourg Belge

Buzenol

Centre d'Art Contemporain du Luxembourg Belge (CACLB) is a contemporary art institution set on the historic and natural site of Montauban-Buzenol, straddling the border between the municipalities of Étalle and Virton in Belgium's Greater Region — close to the borders of France, the Grand Duchy of Luxembourg, and French Lorraine. The center was founded in 1984 as part of a cultural decentralization policy pursued by the French Community of Belgium, and since 2007 it has been based at Buzenol, weaving together contemporary art, archaeology, heritage, and nature. What can visitors see at CACLB? The center focuses on producing temporary, site-specific monumental and environmental artworks that engage directly with the surrounding landscape — the forests, former industrial grounds, and archaeological remains scattered across the area. The exhibition program changes seasonally, showcasing artists working across a range of media and scales, from sculpture to large spatial installations. What does the architecture of the site look like? One of the most distinctive features of CACLB is its use of former shipping containers as exhibition architecture. The so-called Espace René Greisch, located on the lower part of the site, is built from four unusual shipping containers converted into a three-level exhibition space, connected by an external spiral staircase. Nearby stands the Bureau des forges, a rehabilitated former forge building hosting exhibitions across two floors. This blend of industrial rawness with gallery function gives the place a character rarely found in traditional art institutions. What activities does the center offer besides exhibitions? Beyond its exhibition program, CACLB runs craft and artistic workshops covering woodworking, foundry casting, slate carving, blacksmithing, basket weaving, and lacquer techniques. These activities are designed to introduce visitors — both adults and younger audiences — to the practical, hands-on side of artistic craftsmanship and the creative processes behind the works on display. What is the mission of the Centre d'Art Contemporain du Luxembourg Belge? Since its founding, CACLB's mission has been to promote and integrate contemporary visual arts within a rural setting, away from major urban art centers. The institution aims to demonstrate that contemporary art can thrive in direct contact with nature and local history, rather than being confined to the white-walled galleries of city museums. Where exactly is CACLB located? The exhibition grounds are located on Rue de Montauban in Buzenol (postal code B-6743), in the province of Luxembourg, Wallonia. Sitting at the meeting point of three countries, the center draws visitors not only from Belgium but also from neighboring regions of France and Luxembourg. Frequently asked questions Is CACLB a traditional museum? Not quite — it's better described as a contemporary art center combining outdoor and indoor exhibitions with craft workshops, spread across an extensive historic and natural site. Since when has the center operated at its current location? The institution was founded in 1984, but it has been based on the Montauban-Buzenol site since 2007. What stands out about the site's architecture? Most notably, the conversion of shipping containers into an exhibition space (Espace René Greisch) and the restored former forge building (Bureau des forges). Can visitors take part in workshops? Yes, the center regularly organizes artistic craft sessions, including blacksmithing, foundry work, and basket weaving.