Culture and art in Belgium

CC Kruispunt

Diksmuide

CC Kruispunt is the cultural center of Diksmuide, functioning as the town's civic theater and main stage for artistic events in the area. Located on Maria Doolaeghestraat, it has long served as a meeting point for residents of the region interested in music, theater, dance, film, and exhibitions. What can you experience at CC Kruispunt? The center's program is broad and changes with the season, covering theater performances, concerts, film screenings, lectures, and dance shows. It presents itself as an "open house," welcoming both dedicated culture enthusiasts and locals simply looking for an evening's entertainment in a smaller town setting. Beyond hosting events, CC Kruispunt also provides organizational and informational support for local cultural initiatives, making it more than just a performance hall — it functions as a hub connecting creators and audiences across the Diksmuide area. Why visit after the renovation? In autumn 2020, after more than three decades of operating largely unchanged, the venue underwent a thorough renovation. The stage and auditorium seating were replaced, and wall and floor carpeting was renewed throughout. The result is a noticeably more comfortable performance space that better meets contemporary acoustic and visual standards, while still retaining the character of a venue rooted in local cultural tradition. Is the center accessible to schools and groups? Yes — CC Kruispunt organizes free behind-the-scenes tours for schools from Diksmuide and the surrounding region. Students get a playful, hands-on look at what happens both on stage and backstage: how a performance is prepared, how lighting and sound work, and what the technical and organizational team does before each event. It's a good opportunity for younger visitors to see culture "from the kitchen," rather than only from a seat in the audience. How to get there and where to park? The venue sits in the center of Diksmuide, making it easy to reach on foot or by bike for local residents. Visitors arriving by car can use the parking area at CC Kruispunt, where no parking disc is required between 1:30 PM and 8:00 AM — a practical detail especially for guests attending evening events. Frequently asked questions Do you need to book tickets in advance? Tickets for most events can be purchased online through the center's ticketing system, which is advisable for popular shows and concerts where seating is limited. What type of events dominates the program? The program is varied rather than dominated by a single discipline — over the course of a season you might find a theater performance, a music concert, a film screening, or a themed lecture, depending on the current cultural lineup. Is CC Kruispunt worth visiting if you don't live in Diksmuide? Yes — the center draws audiences not just from the town itself but also from surrounding villages, and its program is diverse enough to offer something for visitors with different cultural interests. Is the building accessible for visitors with disabilities? Following the 2020 renovation, the venue offers a modernized performance hall, though for specific accessibility details it's best to check the center's current information directly before your visit.

Minardschouwburg

Minardschouwburg is a historic theatre in Ghent, Belgium, and one of the oldest still-operating theatre buildings in Flanders. Its story stretches back to the mid-19th century and is closely tied to the emergence of Dutch-language theatre in the region. Who built the Minardschouwburg? The building was commissioned by François Louis Minard, a Ghent architect and freemason who lived from 1801 to 1875. Minard designed the theatre himself and financed its construction entirely out of his own pocket. The project was set in motion by the theatre association Broedermin en Taelijver, which persuaded Minard to erect the first stage in the region dedicated to performances in Dutch. The theatre opened its doors on 27 June 1847. What does the building look like? Minardschouwburg is a fine example of 19th-century neo-classical architecture. At its heart is a horseshoe-shaped auditorium with a balcony wrapping around the stalls, a layout that brings performers and audience close together and gives the hall its warm, intimate acoustics, prized by both actors and visitors. Over the decades the building has undergone several rounds of renovation and modernisation, including a complete overhaul of the roof with new thermal and acoustic insulation, while the grand entrance hall has been carefully preserved in its original, historic form. What role did the theatre play in Ghent's history? Minardschouwburg is regarded as the cradle of Ghent's popular theatre tradition. It was the artistic home of Romain Deconinck, a celebrated actor and director central to the city's theatrical life. In 1871 the Nederlands Toneel was founded in Ghent, the city's first professional theatre company. The company used Minardschouwburg free of charge and performed there until 1898, when the Royal Dutch Theatre at Sint-Baafsplein was established, taking over as the city's main Dutch-language stage. Where is Minardschouwburg located? The theatre stands in the centre of Ghent, in the East Flanders region of Belgium, at coordinates 51.048873, 3.727265. Frequently asked questions Is Minardschouwburg still used as a theatre today? Yes, the building continues to function as an active theatre venue, having retained its historic character through many renovations. Why is the theatre called Minardschouwburg? It is named after its creator, architect François Louis Minard, who both designed and personally funded its construction. What makes the interior of the theatre distinctive? Its horseshoe-shaped auditorium with a surrounding balcony, which brings the audience close to the stage and gives the hall its notably warm acoustics. Why was the theatre significant for Dutch-speaking culture in Flanders? It was the first stage dedicated to Dutch-language performances in the region and the birthplace of Ghent's first professional theatre company.

Koningin Elisabethzaal

Antwerpia

Koningin Elisabethzaal, or Queen Elisabeth Hall, is one of Antwerp's most important concert venues, standing right next to the city's zoo in the heart of Antwerp. It is the home stage of the Antwerp Symphony Orchestra and a venue that has hosted classical concerts, pop and rock shows, theatre performances and congresses for decades. Where did the hall come from? The story goes back to the late 19th century and the Royal Zoological Society of Antwerp (KMDA), an association dedicated to zoology and nature conservation. In 1895 the society's management came up with the idea of organizing concerts on the grounds of Antwerp Zoo. The first concert hall was built by architect Émile Thielens and opened on 25 July 1897 as part of a larger complex of banquet and reception halls. What happened to the original building? The complex suffered severe damage during the Second World War, so extensive that rebuilding it in its original form was out of the question. It was only in 1959 that work began on an entirely new, modern concert hall, which opened the following year, in 1960, in the presence of Queen Elisabeth of Belgium — the person the hall is named after. Who has performed here? Over the following decades, Queen Elisabeth Hall was used intensively not only for classical and contemporary music concerts but also for youth performances, theatre productions and congresses. The stage has welcomed world-famous names, including Bruce Springsteen, Sting, Jacques Brel, Herman van Veen, Brian Wilson, Bryan Ferry and Nick Cave. Why was the hall rebuilt? As the decades passed, the 1960s building fell noticeably behind modern standards — its acoustics were rated barely 6 out of 10. In 2011 a decision was made to completely rebuild the hall using modern acoustic and architectural techniques. The new complex, which also includes a convention centre, opened in 2016 in the presence of Queen Mathilde. What does the hall look like today? The result of the renovation is striking — the new hall's acoustics are rated 9.3 out of 10, putting Queen Elisabeth Hall on a par with comparable concert halls in Amsterdam, Vienna and Boston. Depending on the type of event, seating capacity ranges from 1,850 to 2,020 seats. The hall remains the residence of the Antwerp Symphony Orchestra, and its programme combines classical music, pop and rock concerts, and business and congress events. Frequently asked questions Where exactly is Koningin Elisabethzaal located? The hall stands in the centre of Antwerp, right next to the city's zoo. Which orchestra is based there? The Antwerp Symphony Orchestra, for which Koningin Elisabethzaal is the main performance venue. When did the current, rebuilt version of the hall open? The new complex opened in 2016, following a reconstruction that began in 2011. Does the hall only host classical concerts? No — besides classical music, the hall has also hosted major pop and rock acts, as well as theatre performances and congresses.

CC De Beuk

Kortemark

CC De Beuk is the cultural center of the municipality of Kortemark in Belgium, located at Torhoutstraat 9. Its name refers to a protected beech tree ("beuk" in Dutch) growing along this street — inside the building stands an artwork carved from a beech trunk, echoing the tree that gave the venue its identity. Where does the name and the building's history come from? The story begins in 1909, when five priests — including Kortemark's own pastor Blancke — purchased a plot of land on Torhoutstraat. According to a 1912 mutation record, the owner at that point was a certain Debacker Joris together with partners, among them a vicar from Alveringem. On this plot two separate buildings were erected in line with one another: a chapel and a guild hall (gildezaal), designed by master builder Thierry Nolf of Torhout. Theatrical performances were staged in the hall from the very start, meaning the building has served a cultural function since its origin. After the First World War, the chapel took on the role of an emergency church for the local community, underlining its importance to the town during a difficult postwar period. In 1957, according to a further mutation record, a connecting bay (travee) was built between the two structures, merging the former chapel and guild hall into a single complex. Today the building is listed in the architectural heritage inventory (bouwkundig erfgoed) of Kortemark as a former guild hall dating from around 1912. How does CC De Beuk function today? The venue now operates as a fully-fledged cultural center. Its theater hall seats 283 people and comes equipped with a dressing room and a control room, while the first-floor foyer can hold up to 150 people — allowing for both intimate gatherings and larger-scale events. The program at CC De Beuk includes theater performances, comedy shows, and a variety of cultural events aimed at residents of Kortemark and the surrounding area. The center is described as combining an intimate, friendly atmosphere with the capacity to host bigger productions, drawing both local audiences and visitors from across West Flanders. Where exactly is it located? CC De Beuk is situated at Torhoutstraat 9, 8610 Kortemark, in the West Flanders province of Belgium. Its position on the town's main street makes it an easy landmark to find for anyone visiting Kortemark. Frequently asked questions Where does the name "De Beuk" come from? It refers to a protected beech tree along Torhoutstraat, also commemorated by an artistic installation made from a beech trunk inside the building. How old is the building? The complex dates back to 1909–1912, and its current form — a combined hall and former chapel — was finalized after an extension built in 1957. How many people can the theater hall seat? The main theater hall has 283 seats, with an additional 150-person capacity in the upstairs foyer. Does the site carry historical significance? Yes — the former chapel served as an emergency church after World War I, and the entire building is listed in the architectural heritage inventory of the West Flanders region.

Théâtre des Martyrs

Bruksela

Théâtre des Martyrs is one of Brussels' leading French-language stages, tucked away next to Place des Martyrs — a square dedicated to the memory of the heroes of the 1830 Belgian Revolution. The solemn atmosphere of the square, with its monument to the fallen insurgents, sets a fitting backdrop for the theatre, which also has an entrance from the adjoining Rue Neuve. From cinema to derelict ruin The building's history is far more turbulent than its current elegant appearance suggests. Before it became a theatre, the site housed a cinema known as L'Étoile, accessible from Rue Neuve 53-55. The cinema shut down in the late 1970s, and the interior was subsequently gutted by a fire that sources describe as arson. For years afterward, the building stood empty and increasingly dilapidated in the heart of the city. The first attempt to bring performing arts back to the site came in 1986, when director Henri Ronse launched the Nouveau Théâtre de Belgique inside the damaged shell. That venture lasted only three years: the building's poor structural condition and safety concerns forced the company to abandon the space, which clearly needed a full reconstruction rather than a patch-up. Rebuilt from scratch, reopened in 1998 The turning point came at the initiative of Didier Gosuin, then Brussels' regional minister for culture. Under his push, the French Community Commission of the Brussels-Capital Region (CoCoF) funded a complete reconstruction of the hall, designed by architect Michel Verliefden. The rebuilt venue opened its doors in 1998 and has operated as the Théâtre des Martyrs ever since. An art gallery you walk through before the show The 1998 reconstruction went well beyond a purely functional auditorium — the public spaces were conceived as showcases for major Belgian artists. The entrance hall is dominated by a monumental fresco by Pierre Alechinsky, titled "Main courante." The foyer features a sculptural installation by Félix Roulin, "Mur, muses et Orphée," while the stage curtain itself was designed by painter Alexandre Obolensky. As a result, visitors pass through what amounts to a small contemporary art collection before ever taking their seats. The auditorium is decorated in warm reds, giving it an intimate, classic character well suited to traditional dramatic performances while remaining flexible enough for other formats. What's on today Théâtre des Martyrs ranks among Brussels' foremost French-language venues and maintains a broad, varied programme — spanning classical drama, contemporary plays, dance, spoken-word poetry, and musical performances. This range allows the theatre to draw audiences looking for traditional repertoire as well as those interested in more experimental staged work, making it a fixture of the city's cultural calendar. Frequently asked questions Has the building always been a theatre? No — it originally housed the L'Étoile cinema, which closed in the late 1970s after a fire. The site only became a theatre in 1986, and it has operated in its current, fully rebuilt form since 1998. Who designed the rebuilt auditorium? The 1998 reconstruction was designed by architect Michel Verliefden, commissioned by the French Community Commission of the Brussels-Capital Region (CoCoF). What artworks can visitors see inside? The entrance hall features a fresco by Pierre Alechinsky, the foyer holds a sculpture by Félix Roulin, and the stage curtain was designed by Alexandre Obolensky. Where exactly is the theatre located? On Place des Martyrs in central Brussels, with an additional entrance from Rue Neuve.

CC Cultuurfabriek

Damme

CC Cultuurfabriek is the cultural centre of the city of Damme, housed in a former paper factory in Sijsele, a district that once served as an important local employer during the 1960s and 1970s. After the factory ceased operations, the building stood vacant for years and gradually fell into disrepair, until the city decided in the mid-2000s to give it an entirely new purpose. How was the old factory turned into a cultural centre? The thorough renovation went beyond simply restoring the existing structure — it also added a modern theatre hall with a capacity of 300 people. Exhibition spaces, meeting rooms and a fully equipped kitchen were built as well, allowing the venue to host everything from cultural performances to social gatherings and private events. The architects behind the project aimed to combine the building's industrial character with a warm, welcoming atmosphere, honouring its factory past rather than erasing it. What can visitors see inside? In the foyer, where the bar is located, the original roof truss and a section of raw, unplastered brick wall were preserved, offering a direct link to the building's industrial origins. Elsewhere, red brick is combined with concrete and steel, while custom-made cabinets arranged in colourful, stripe-like patterns and warm carpets soften the overall industrial feel. A central patio brings natural light and air into the heart of the building, opening up spaces that once served purely functional, production purposes. What role does the venue play in the community today? Cultuurfabriek has become a gathering place for the community of Damme and the surrounding area, hosting concerts, theatre performances, exhibitions and a wide variety of cultural events aimed at both local residents and visiting tourists. The 300-seat theatre hall makes larger productions possible, while the smaller exhibition rooms and meeting spaces support more intimate initiatives, workshops and conferences. Frequently asked questions What was Cultuurfabriek before its renovation? The building was originally a paper factory and an important employer for the local Sijsele community during the 1960s and 1970s, before falling into disuse once production stopped. When did the building get its new function? The extensive renovation that turned it into a cultural centre took place in the mid-2000s, including the addition of a 300-seat theatre hall. What are the notable features inside? The foyer preserves original industrial elements — the roof truss and raw brick wall — combined with modern, warm finishes and a central patio that brings daylight into the building. What kind of events take place here? The venue hosts concerts, theatre performances, exhibitions and community gatherings, functioning as the main cultural hub of the city of Damme.

Tinnenpot

Gandawa

Tinnenpot is one of the best-known theatre venues in Ghent, standing at Tinnenpotstraat 21 right in the historic heart of the city. For more than twenty-five years it has worked both as a producing theatre, staging its own shows, and as a receptive house that opens its stages to outside musicians, dancers, actors and exhibition makers. Where does the building come from? The structure now occupied by the theatre has gone through several unexpected transformations. It began life as a storage facility belonging to a paper merchant named Timmermans. Over time the space was converted into a sports complex, and only later reshaped into the theatre venue it is today, now holding eight halls of varying size and character. Tinnenpot as an independent theatre company was founded in 2001, splitting off from the ARCA theatre at the moment ARCA merged with NTGent, under the artistic direction of Jo Decaluwe. What is inside the venue? Tinnenpot's programme runs across six main halls, each with a distinct atmosphere. The largest and most traditional is the Beckettzaal, a classic theatre auditorium seating 173 people. It stands in contrast to the much more intimate Bonbonnière, a cosy 69-seat hall styled after the 1940s, which offers a completely different mood from the main stage. The remaining halls are used flexibly depending on the type of event, hosting everything from theatre productions and concerts to dance performances and art exhibitions. What role does Tinnenpot play in Ghent's cultural life? For years Tinnenpot has served as an important cultural hub in the city, combining its own productions with an open-door policy toward independent artists looking for a stage or a creative workspace. The institution places strong emphasis on education, running pedagogical projects aimed at learners of different ages, treating theatre not only as a place to present art but also as a tool for cultural education. This has earned Tinnenpot a strong reputation both among local artists and among Ghent residents who attend its performances regularly. What should visitors know before going? The theatre sits in an easily reachable spot in central Ghent, close to other landmarks of the historic city centre, making it a convenient stop for anyone combining culture with a walk through the city's architectural history. The programme changes seasonally and spans everything from large theatrical productions to intimate music evenings and dance shows in the smaller halls. Frequently asked questions How many halls does Theater Tinnenpot have? The building holds eight halls in total, of which six function as the main programming spaces, ranging from the large, classic Beckettzaal to the intimate Bonbonnière. Where does the name Tinnenpot come from? The name is tied to the history of the building itself and to Tinnenpotstraat, the street on which the theatre stands, in the heart of old Ghent. Is Tinnenpot only a theatre, or also a concert venue? It is a multi-purpose cultural centre — alongside theatre productions it hosts concerts, dance shows and exhibitions, making it a stage open to many different art forms. How did the theatre reach its current form? The company became independent in 2001 when it split from the ARCA theatre as ARCA merged with NTGent, and it has operated since then as a standalone theatre house under the direction of Jo Decaluwe.

C-mine Cultuurcentrum Genk

Genk

C-mine Cultuurcentrum in Genk is a culture and creativity hub built on the site of the former Winterslag coal mine, one of three collieries that emerged in the region after André Dumont discovered coal deposits at the start of the 20th century. The first coal was extracted here in 1914, with full commercial exploitation beginning in 1917. At its peak, the mine employed more than 6,250 miners and drove the growth of the surrounding town, which at the time counted around 12,000 inhabitants. After seventy years of operation, the mine closed permanently on 31 March 1988, forcing Genk to redefine its identity. How did a former coal mine become a culture centre? The idea of turning the Winterslag mine site into a hub for creative industries emerged in 2000. The following year, the city of Genk purchased the site from the Limburgse Reconversie Maatschappij (LRM), and in 2005 a naming competition was launched for the new location. The winning entry came from Massimo de Nittis, grandson of a miner, who proposed the name "C-mine" — a play on words combining "see" with "mine," while also echoing several words starting with C: creativity, communication, cinema and culture. The complex opened to the public in 2010. What did architecture firm 51N4E design? The architecture and redevelopment of the historic buildings were entrusted to the Belgian studio 51N4E. The project covered roughly 15,000 square metres and focused on respecting the site's industrial past: the original machine hall and the distinctive steel headframe tower — now a landmark symbol of Genk — were both preserved. The main addition was two concrete pavilions, built to complete the cultural programme and create a new circulation system leading to the concert hall, theatre and exhibition galleries. What can visitors find at C-mine today? C-mine today combines a cultural centre, a campus of the Luca School of Arts, a business incubator and a design museum. The site also houses a cinema, the Genk FabLab, restaurants, and co-working and art installation spaces. The theatre and concert hall host performances, concerts and cultural events throughout the year, while the Design Museum presents exhibitions on design and applied arts. Why is C-mine worth a visit? C-mine is a rare example of a place where the region's industrial history was not erased but became the foundation of a new identity for the town. The steel headframe tower and machine hall still recall Genk's mining past, while the modern pavilions buzz with cultural and creative life. It is a place where visitors can feel the atmosphere of the former coal basin while seeing firsthand how former industrial sites can gain a second life as centres of art, education and innovation. Frequently asked questions What was the Winterslag mine before C-mine was created? Winterslag was one of three coal mines operating in Genk from the early 20th century until 1988, employing more than 6,250 miners at its peak. Who designed the transformation of the site into a culture centre? The Belgian architecture studio 51N4E led the redevelopment, preserving the original machine hall and headframe tower while adding two new pavilions. Where does the name C-mine come from? The name was proposed in a 2005 competition by Massimo de Nittis, grandson of a miner, combining the word "see" with "mine" and evoking creativity, communication, cinema and culture. What functions does C-mine serve today? It is a culture centre with a theatre, concert hall, cinema, design museum, an arts school campus, a business incubator, restaurants and co-working spaces.

De Dijk

Brugia

De Dijk is a small theatre hall in the Sint-Pieters neighbourhood of Bruges, located at Blankenbergse Steenweg 221, right next to the local branch of the public library. It operates as one of the more intimate venues under Cultuurcentrum Brugge (Bruges Centre for Culture). What kind of venue is this? De Dijk seats 240 people. Unlike the larger stages in the historic centre, such as the Koninklijke Stadsschouwburg (Royal Municipal Theatre) or the Concertgebouw, De Dijk functions as a compact, neighbourhood-level cultural space. Its modest size makes it well suited to productions that aim for broad appeal but, by their nature, work best in a smaller hall. What kind of programming does it host? The hall serves as the fixed venue for family shows as well as small-scale theatre and comedy productions. This makes De Dijk a popular option for residents of the surrounding district looking for accessible, local cultural events without having to travel into the heart of Bruges. Where exactly is it, and how do you get there? De Dijk sits in the Sint-Pieters district on the outskirts of Bruges, next to the neighbourhood's public library branch. The nearest stop is Sint-Pieterskerk, served by buses roughly every 20 minutes, with a journey time of 15 to 20 minutes from the train station. Parking is also available in the surrounding area for visitors arriving by car. Can the hall be rented? Yes. Like other venues managed by Cultuurcentrum Brugge, De Dijk is available for rent for external events. Those interested in booking the space can contact the hall rental office by email at [email protected] or by phone at 050 44 30 55. Frequently asked questions How many seats does De Dijk have? The hall has 240 seats. What kind of events take place at De Dijk? Mainly family performances and small theatre and comedy productions aimed at a broad local audience. Is De Dijk a large concert venue? No — it is deliberately a small, neighbourhood-scale venue, in contrast to larger central Bruges venues like the Koninklijke Stadsschouwburg. How do you reach De Dijk by public transport? The easiest way is by bus to the Sint-Pieterskerk stop, a short walk from the hall; the trip from the train station takes about 15 to 20 minutes. Is parking available near De Dijk? Yes, parking is available in the surrounding area. Can you rent the hall for a private event? Yes, by contacting the zaalverhuur (hall rental) office of Cultuurcentrum Brugge.

CasinoKoksijde

Koksijde

Cultuurcentrum CasinoKoksijde is a cultural centre in the seaside municipality of Koksijde, on Belgium's West Flanders coast, located at Casinoplein 11. Despite the name recalling the building's former use, the venue does not currently operate as a gambling casino — it functions as the town's municipal stage for cultural events, run by the Koksijde local authority. What kind of events take place here? CasinoKoksijde hosts a wide variety of stage programming: theatre performances, music concerts spanning multiple genres, dance shows, and comedy or cabaret acts. Past concert bookings have included artists such as Lady Linn, Admiral Freebee, Meral Polat Trio, and Tourist LeMC — names that reflect the venue's ability to draw both local audiences and a broader Flemish music crowd. Alongside concerts and theatre, the schedule regularly features recurring film nights, meaning the centre also doubles as a small local cinema. What role does the centre play locally? As the municipal cultural centre, CasinoKoksijde is a key fixture on the cultural map of Koksijde and the wider Westhoek coastal area. It serves as a meeting point for residents and visitors to the region, with a programme catering to different age groups and tastes — from intimate jazz concerts to larger stage productions and film screenings. The venue is also listed as a stop on the JazzInBelgium network, underlining its relevance within the national circuit of live jazz events. Can the venue be hired for private events? Yes — beyond its own cultural programming, the hall and facilities at CasinoKoksijde are available for hire for private and corporate events. The building is used as a venue for receptions, weddings, conferences, and other gatherings, making it a flexible space that functions not only as a theatre and concert stage but also as a municipal events hall. The centre is additionally linked to educational institutions, being listed as a location for continuing-education courses run by universities such as Ghent University. Where exactly is it located? The address — Casinoplein 11, 8670 Koksijde — places the venue right in the heart of the town, close to the main shopping streets and the seafront area typical of this stretch of the Belgian coast. This central location makes the centre easy to reach on foot both for local residents and for tourists staying in Koksijde during a coastal visit. Frequently asked questions Can you still gamble at CasinoKoksijde today? There is no indication of this in available sources — the venue currently operates as a cultural centre (cultuurcentrum) rather than a gambling casino in the traditional sense. What type of events dominate the programme? The programme includes music concerts across genres (including jazz), theatre performances, dance shows, comedy/cabaret, and recurring film screenings. Can the hall be rented for a private event? Yes, the centre offers its space for hire for receptions, weddings, and conferences alongside its own cultural programming. Where exactly is the centre located? At Casinoplein 11 in Koksijde, in the town centre, close to the shopping area and the seafront.

Namur Open-Air Theatre

Namur

Namur Open-Air Theatre is a historic amphitheatre built inside the Citadel of Namur, on the hill overlooking the city at the confluence of the Sambre and Meuse rivers. The complex was constructed between 1908 and 1910 to designs by the Brussels-based architect Georges Hobé, backed by an initiative of King Leopold II, at a time when the former military stronghold was being reshaped into a cultural and recreational site. The official inauguration took place on 14 August 1910. What does the theatre look like and how was it built? The theatre is considered one of the first civil buildings in Belgium constructed in reinforced concrete, an innovative technique for its time. Its stone tiers are carved directly into the natural slope of the citadel, giving spectators a clear view of the stage as well as of the surrounding landscape. Architecturally the building blends neoclassical forms with touches of Art Deco and Art Nouveau, echoing the ancient tradition of open-air spectacle. The theatre forms one half of a single architectural ensemble, the other half being the adjoining Stade des Jeux (games stadium), with which it shares both structure and history. How many people could it hold, and what was it used for? Georges Hobé designed the tiered seating to accommodate around two thousand five hundred spectators. In the decades following its opening, the theatre and the neighbouring stadium hosted a wide variety of events: concerts, opera performances, dance shows, sporting competitions, and even horticultural exhibitions. The site therefore served both high culture and large public gatherings, reflecting the broader idea of turning a former fortress into a space open to the city's residents. What role does it play today? Since 1985 the theatre has regularly hosted the Verdur Rock music festival, making it one of the recognisable concert venues in the Namur region. Because of its historical and architectural significance, the theatre and the adjoining games stadium were officially listed as a protected monument on 8 January 2016 and included among Wallonia's exceptional heritage sites. In August 2024, a large-scale restoration of the whole ensemble began, planned to run for roughly 650 working days — about three years — with the aim of repairing the structure and restoring its original character. Where exactly is it located? The theatre stands within the Citadel of Namur in southern Belgium, at coordinates close to 50.456°N, 4.856°E, inside the large fortified complex that has long served as both a public park and one of the city's main tourist attractions. Frequently asked questions Who designed the theatre? The architect Georges Hobé, commissioned in connection with an initiative of King Leopold II. When was it built? Construction ran from 1908 to 1910, with the official opening on 14 August 1910. How many spectators can it seat? Around two thousand five hundred. Is the theatre still in use? Yes, although since 2024 it has been undergoing a multi-year restoration; since 1985 it has regularly hosted the Verdur Rock festival. Is the site legally protected? Yes, together with the adjoining games stadium it was classified as a protected monument in 2016 and listed among Wallonia's exceptional heritage properties.

Beursschouwburg

Bruksela

Beursschouwburg is a multidisciplinary arts centre right in the heart of Brussels, just a short walk from the Grand Place, known today mainly for experimental performances, concerts, film screenings and exhibitions. The building's story, however, stretches back much further than its current avant-garde profile would suggest — all the way to the 19th century. Where does the name come from? The name "Beursschouwburg" literally means "stock exchange theatre," a reference to the venue's location near Brussels' former stock exchange. The building itself was constructed in 1885 as the Brasserie flamande, a venue combining a beer hall with rooms used for meetings and banquets. Even at that early stage it functioned as a gathering place for city residents, though it was still far from becoming an artistic stage. How did a brasserie turn into a theatre? In 1922 the main hall was extended and a neighbouring building was added to the complex. The real transformation, though, came in 1946, when both buildings underwent a full renovation that turned the venue into an Italian-style theatre. It was at this point that the popular actor Darman established the Théâtre de la Bourse there, a stage devoted largely to vaudeville performances. After his death in 1959, however, that particular theatre did not survive for long in its original form. When did the modern Beursschouwburg emerge? The turning point came in the 1960s, as demand grew for a Flemish cultural network in the heart of a capital that had long been dominated by French-speaking culture. In February 1965 the building was officially reborn as the Beursschouwburg, a stage genuinely open to productions from Flemish theatre companies. Dries Wieme became its first artistic director, while day-to-day organisation was handled by the Kring Vlaams Gezelschapsleven. What happened at the Beursschouwburg afterwards? From that point on, the venue became home to a string of influential cultural initiatives, including Mallemunt, Rock Rally, and the Kunstenfestivaldesarts, one of the region's most significant performing arts festivals. Over time, the Beursschouwburg evolved into a genuinely multidisciplinary arts centre, bringing together theatre performances, concerts, film screenings, exhibitions, public debates and parties under one roof. What can visitors see today? Today's Beursschouwburg is a place where traditional theatre architecture meets a distinctly contemporary artistic programme — a platform for emerging artists, experimental formats, and events that go well beyond a classic repertoire. The building remains an important fixture on Brussels' cultural map, drawing both locals and visitors interested in the city's alternative arts scene. Frequently asked questions Is the Beursschouwburg a classic theatre? Not quite — today it functions more as a multidisciplinary arts centre than a traditional repertory theatre, although the building retained its historic Italian-style hall. Where does the venue's name come from? The name refers to its proximity to Brussels' former stock exchange (beurs means "stock exchange" in Dutch). How far is it from the Grand Place? The building sits right in central Brussels, within easy walking distance of the city's main square.

Théâtre Le Public

Saint-Josse-ten-Noode - Sint-Joost-ten-Node

Théâtre Le Public is one of Brussels' most notable theatre venues, located in Saint-Josse-ten-Noode inside the former buildings of the Aerts brewery. The stage came to life on November 9, 1994, when the company founded by Patricia Ide and Michel Kacenelenbogen opened its doors to the public. How did the theatre come into being? Théâtre Le Public grew out of the passion and ambitious dreams of two artists. Ide and Kacenelenbogen put their own personal funds into converting the disused industrial brewery building into a performance space. The architectural and scenographic transformation was carried out by Luc D'Haenens, who combined the roles of set designer and architect. The bold, largely self-financed venture paid off quickly — within just a few seasons, the theatre had carved out a solid place for itself on the Belgian theatrical scene. What defines the programming at Théâtre Le Public? From the outset, the venue set out to bring together different theatrical traditions and schools of performance under one roof. Its programming blends contemporary work with major texts from the classical repertoire, with considerable attention given to authors, actors, and artists connected to the local Belgian scene. This mix of experimentation and established dramatic writing has helped the theatre build a broad and loyal audience over the decades. How has the venue evolved over the years? Théâtre Le Public has grown steadily both organizationally and in terms of infrastructure since its modest beginnings in 1994. It now operates three performance halls within its own building, allowing several productions to run in parallel and giving the company flexibility in how it structures a season's repertoire. In certain seasons, the company also stages productions in additional external venues, a sign of how much the operation has expanded since its early days in the converted brewery. Where exactly is the theatre located? Théâtre Le Public sits in the municipality of Saint-Josse-ten-Noode (Sint-Joost-ten-Node), one of the smallest yet most densely populated municipalities in the Brussels-Capital Region. The surrounding area, shaped by former industrial sites repurposed for cultural use, gives this part of the city a distinct industrial-meets-artistic character. Frequently asked questions When was Théâtre Le Public founded? The theatre officially opened on November 9, 1994. Who founded the theatre? It was founded by Patricia Ide and Michel Kacenelenbogen. What building houses the theatre? The former Aerts brewery buildings in Saint-Josse, architecturally adapted by Luc D'Haenens. How many halls does the theatre have? Théâtre Le Public has three performance halls, and in some seasons it also uses additional venues outside its own building. What kind of repertoire does the theatre present? It combines contemporary creation with major works from the classical repertoire, with a strong focus on authors and artists tied to the Belgian theatrical scene.

BRONKS

Bruksela

BRONKS is a theatre for young audiences located in the historical centre of Brussels, and one of the city's key institutions dedicated to performing arts for children and teenagers. Its name is an acronym of "BRussel ONderwijs Kunst Kinderen Samenleving" (Brussels Education Art Children Society), a phrase that captures the organisation's core mission: combining education with professional stage art made specifically for young audiences. How did BRONKS come into being? The theatre was founded in 1991 by Oda Van Neygen, who had been programming youth theatre at Beursschouwburg since 1976. When that youth programme outgrew its host venue, Van Neygen decided to establish an independent institution focused solely on theatre for children and teenagers. That decision gave rise to BRONKS. What were the early years like? For years the company had no permanent home and led what is often described as a "nomadic" existence, staging productions across a range of Brussels venues, including the Palais des Beaux-Arts, De Markten and De Kriekelaar. Despite lacking a fixed address, BRONKS quickly earned a reputation as a driving force for innovation on the youth theatre scene, consistently favouring bold and experimental programming over safe, conventional fare. When was the current building built? The decision to commission a permanent building came in 2002 from the Flemish Community Commission of the Brussels-Capital Region. Construction ran from 2006 to 2009. The theatre was built in the historical heart of the city, in a neighbourhood that had grown rundown over the decades, so the project also carried a role in the area's wider regeneration. The building was designed by architects Martine De Maeseneer and Dirk Van den Brande. Its most distinctive feature is a glazed street-facing facade that underlines the public character of the institution and lets passers-by see straight into the interior — rather than sealing itself off, the building opens itself to the city around it. What does BRONKS actually do? The organisation combines two roles at once: it is both a stage presenting performances and an educational hub running workshops and outreach activities for children and adolescents. That dual identity sets BRONKS apart from a conventional repertory theatre — here, performing arts function as a tool for cultural education, not merely entertainment. Which productions brought BRONKS its biggest recognition? Among its most celebrated works is "Ola Pola Potloodgat" by Pascale Platel and Randi De Vlieghe, staged in 2001 and awarded, among other prizes, the Grote Theaterfestivalprijs. Genuine international recognition arrived later, in 2016, with "Wij/Zij" ("Us/Them"), directed by Carly Wijs, which went on to achieve success well beyond Belgium's borders. Frequently asked questions Is BRONKS only for children? The core repertoire targets children and teenagers, but the programme also includes educational activities aimed at teachers and families. Where exactly is the theatre located? In the historical centre of Brussels, inside a distinctive glass-fronted building designed specifically for the institution. Since when has BRONKS existed? The organisation has run its artistic programme since 1991, while its current home opened in 2009.

Théâtre 140

Schaerbeek - Schaarbeek

Théâtre 140 is an independent cultural venue in Schaerbeek (Schaarbeek), one of the municipalities of the Brussels-Capital Region, known for a bold and eclectic programme spanning theatre, contemporary dance, cabaret, concerts, and puppet shows. The venue's name comes directly from its address — it sits at number 140 on Avenue Eugène Plasky. Where did this venue come from? Théâtre 140 was founded in 1963 by Jo Dekmine, who had previously run several Brussels cabarets, including "La Poubelle" and "La Tour de Babel". In 1962 he was entrusted with managing a large performance hall then under construction, originally intended for occasional use by the neighbouring parish only a few days a year. Dekmine turned it into a venue for regular, ambitious cultural programming, and the hall opened its doors in autumn 1963 under the name that Brussels' arts scene still knows today. What played on this stage? From its earliest seasons, Théâtre 140 championed artists outside the mainstream and performers who blurred the lines between disciplines. The stage hosted names such as Serge Gainsbourg, clown Dimitri of Ascona, writer Roland Dubillard with his play "Naïves Hirondelles," as well as Léo Ferré and Barbara — figures who helped build the venue's reputation as a meeting point for chanson, theatre, and the counterculture of the 1960s and 70s. Over time, the venue became an important stop on the international circuit for contemporary dance and theatre, hosting choreographers and directors such as Mathilde Monnier, Josef Nadj, Alain Platel, and Georges Appaix, in line with a search for new, hybrid stage forms. How has the theatre's leadership changed? Jo Dekmine ran Théâtre 140 without interruption for 53 seasons. In September 2015, he handed over direction to his colleague Astrid Van Impe. Since March 2024, Alain Cofino Gomez has served as general and artistic director, continuing a programming line open to forms that resist easy classification. Since 2024, the venue has also partnered with the Pierre de Lune company, adding performances for young audiences to its repertoire — an element previously absent from an institution whose focus had largely been on adult audiences. Who is this venue for? Théâtre 140 remains a stage for audiences looking for programming beyond the repertory mainstream — dance, theatre, and musical performances that blend genres rather than sticking to a single convention. It's a place where local and international artists present what the venue itself describes as "unclassifiable and hybrid" work. The hall is accessible to people with reduced mobility. Frequently asked questions Where exactly is Théâtre 140 located? At 140 Avenue Eugène Plasky, in the municipality of Schaerbeek (Schaarbeek) in Brussels — hence the venue's name. Who founded Théâtre 140? Jo Dekmine, in 1963, after previously running Brussels cabarets in the 1950s. What kind of events can you see here? Theatre, contemporary dance, cabaret, concerts, and puppet shows, with an emphasis on experimental and hybrid forms. Who currently runs the theatre? Since March 2024, Alain Cofino Gomez has been general and artistic director. Does the theatre programme events for children? Yes, since 2024, thanks to a partnership with Pierre de Lune, the repertoire has included performances for young audiences.

Magic Land Théâtre

Magic Land Théâtre is an intimate cabaret-style theater in the Schaerbeek district of Brussels, known for absurdist humor and improvisation. It occupies a building at rue d'Hoogvorst 8-14, which became its permanent home in 1994. Where does the name and history of this venue come from? The name refers both to the performance venue and to the artistic troupe founded in 1975 by Patrick Chaboud, who still serves as its artistic director today. The company began as a traveling puppet theater and settled permanently in Belgium in 1978. Over the following years, the artists developed several stage formats - from street theater (seasons in 1983-1988 and again in 2006) to indoor productions performed in enclosed halls, a format that has been part of the repertoire continuously since 1987. What does the hall look like and what does the café-théâtre format mean? The current venue, opened in 1994, was designed in the café-théâtre style - the audience sits very close to the stage, encouraging direct contact with the performers. The hall seats around 170 people. This architectural choice matches the character of the repertoire: shows are full of anachronisms, wordplay, and absurdist humor, touching on themes ranging from the legend of Ali Baba to stories with a science-fiction undertone. Who performs on the Magic Land stage? The ensemble brings together comedians, musicians, dancers, magicians, stilt-walkers, and specialists in improvisation and absurdist comedy, sometimes referred to as "gag brigades." Besides regular shows at their home venue, artists associated with Magic Land Théâtre take part in street animations and outdoor events. The theater also has a television chapter to its history - productions tied to the show "Lollipop" and the character Malvira, which helped raise the brand's profile beyond the stage itself. What is the theater's connection to the Zinneke Parade? Magic Land Théâtre takes part in coordinating and designing the scenography for the Zinneke Parade - a recurring, colorful street parade held in Brussels that brings together residents from different neighborhoods and artistic backgrounds. The troupe's involvement in this event shows that the theater's activity extends well beyond its own walls into the broader cultural landscape of the Belgian capital. What has happened to the theater in recent years? In November 2017, Magic Land Théâtre lost the public subsidies allocated for the 2018-2022 period, putting the institution in a difficult financial position. Despite this, the theater continued operating and expanded its offering - the vaulted cellars beneath the main hall were converted into an escape room, blending the venue's character with a popular new entertainment format. Who is this place for? Magic Land Théâtre is a good option for visitors looking for an unconventional, intimate evening in Brussels - a mix of theater, cabaret, and situational comedy performed in close contact with the audience. The closeness between stage and seats, typical of café-théâtre, gives each show a more personal feel than performances in large, traditional theater halls. It is also an interesting stop for anyone curious about Brussels' independent cultural scene and its alternative-theater history.

Plopsa Theater

De Panne

Plopsa Theater is a dedicated show venue in De Panne, standing right at the entrance to the Plopsaland Belgium amusement park on the country's North Sea coast. The building opened in 2013 as a stage for productions created by Studio 100, the Belgian media company behind a string of children's and family television series and stage musicals that are hugely popular across the Benelux region. Over the years the venue's name has changed alongside successive sponsorship deals — starting as Plopsa Theater, becoming Proximus Theater in 2019, and taking its current name, Studio 100 Theater De Panne, in 2024. Despite the rebranding, its role has stayed constant: a permanent stage hosting exclusive musical productions tied to the characters familiar from the Plopsa parks and Studio 100's television output. Where exactly is it located? The theater sits directly next to the grounds of Plopsaland Belgium in the town of De Panne, in the province of West Flanders, close to the French border. The location is convenient both for visitors spending the day at the amusement park and for guests staying at the adjoining themed Plopsa Theater Hotel, decorated in a theatrical style with direct access to the park. What can visitors see here? The venue's program centers on live performances — musicals, stage shows and productions created specifically for families with children. These shows are staged exclusively at this theater, which makes it a distinctive fixture on the region's attractions map rather than a touring production: it is a permanent offering linked to the Plopsa brand and to characters known from Belgian children's television. The repertoire is updated periodically, so it is worth checking the exact title and schedule shortly before a visit. Is it worth combining with a visit to the amusement park? Given its proximity to Plopsaland Belgium, a visit to the theater fits naturally into a full day at the park. Right next door is Plopsaqua De Panne, an indoor water park that opened in 2015 and forms part of the same entertainment complex. Families planning a longer stay can also book the themed hotel mentioned above, making it possible to spread visits to the park, the water park and a theater show across several days without having to travel between separate locations. Who is this attraction for? The shows are aimed primarily at families with children, though the character of Studio 100's productions — elaborate stage design, live music and well-known characters — also draws older fans who grew up watching the company's television series. It works as a complement to the rides and themed zones of the amusement park itself, offering a different kind of entertainment rather than replacing the park experience. Frequently asked questions Is a theater ticket included with Plopsaland admission? This is a separate attraction tied to a specific venue within the complex, so it is best to check the current ticketing rules on the official Plopsa website before visiting — bundling policies tend to change with the season and the current repertoire. Is the theater open year-round? The schedule and repertoire depend on the current season and on which Studio 100 production is running, so it is worth confirming exact dates shortly before planning a visit. How do you get there? The theater is located in De Panne, right at the entrance to Plopsaland Belgium, so getting there is the same as reaching the amusement park itself, on Belgium's North Sea coast near the French border.

Salle philharmonique de Liège

Liège

Salle Philharmonique de Liège is a historic concert hall on Boulevard Piercot in Liège, home to the Orchestre Philharmonique Royal de Liège (OPRL) and one of the most significant music venues in Belgium. Where did this hall come from? Construction began in 1878 under the design of Louis Boonen, a city official, with the work later continued by architect Laurent Demany. The project followed more than fifty years of requests from the people of Liège for a proper venue to host concerts. Originally known as the Salle des Fêtes du Conservatoire royal de Liège, the hall was formally inaugurated on 30 April 1887, with violinist Eugène Ysaÿe, one of the city's most celebrated musicians, present at the opening. Which great names have performed here? From the late 19th century onward, the hall welcomed leading composers and conductors of the era. On 1 March 1896, Richard Strauss personally conducted performances of his own tone poems "Don Juan" and "Also sprach Zarathustra" here. A few years later, on 22 January 1899, Gustav Mahler took the same stage to conduct his Symphony No. 2. These visits cemented the hall's place in the history of European symphonic music. What does the interior look like? The building was designed after the Italian theatre model, with a distinctive horseshoe-shaped floor plan blending neo-Renaissance and neo-Louis XVI styles. The facade spans 46 metres in width and is arranged symmetrically around a central projecting section. The auditorium itself has an arched, Italian-style shape, richly decorated with gilding and red velvet. The dome is adorned with ten paintings by artist Émile-Édouard Berchmans, depicting the myth of Apollo and the nine Muses. The stage houses a symphonic organ built by Pierre Schyven between 1888 and 1890. How many people can the hall seat, and how does it sound? The hall originally offered 1,129 seats, spread across a parterre, a balcony, three rows of boxes and a 240-seat amphitheatre. Between 1998 and 2000, the venue underwent a thorough restoration, after which capacity rose to 1,162 seats. The renovation also upgraded the acoustics to category B+, placing the hall among Europe's leading concert venues. Its exceptional sound isolation, with background noise as low as 19 decibels, has made it a sought-after recording location for major record labels over the years. Who performs here today? The hall is managed and used daily by the Orchestre Philharmonique Royal de Liège, a symphony orchestra founded in 1960, for which the venue serves both as its main concert stage and administrative headquarters. The space can also be hired for private and corporate events. Frequently asked questions Where exactly is the Salle Philharmonique de Liège located? The hall stands on Boulevard Piercot in central Liège, right next to the Royal Conservatory. When did the hall open? It was formally inaugurated on 30 April 1887, following more than half a century of efforts to bring it into being. Has the hall ever been renovated? Yes, a major restoration took place between 1998 and 2000, improving the acoustics to category B+ and increasing seating capacity to 1,162. Which orchestra is based in the hall? The Orchestre Philharmonique Royal de Liège (OPRL), founded in 1960.

Theater Stap

Theater Stap is a professional theatre company based in Turnhout, Belgium, where every actor on stage lives with an intellectual disability. The company is headquartered at Brugstraat 55 in Turnhout, and its roots go back to 1983, when the initiative began at the De Warande cultural centre. The group in its current form was established in 1985 as a research project exploring whether performers with intellectual disabilities could create theatre at a genuinely professional artistic level. What makes Theater Stap distinctive? The company's guiding idea is that actors with intellectual disabilities bring qualities capable of moving any audience, regardless of whether spectators are familiar with this particular approach to theatre-making beforehand. Theater Stap works closely with Dagcentrum Kasteel, a day centre that provides the actors with the framework they need to develop their craft outside of rehearsals and performances themselves. Productions from Theater Stap are staged not only across Flanders but also tour abroad, reflecting the recognition the company has earned within the wider professional theatre world. Where does Theater Stap's wider fame come from? The company became widely known across Flanders through the television series "Tytgat Chocolat," a seven-part drama that aired on the Flemish channel Eén in the autumn of 2017. Most of the leading roles were played by Theater Stap's own actors. The idea for the series dates back to 2006, when director Filip Lenaerts visited the company and formed a connection with its artistic director, Marc Bryssinck. The series went on to win critical acclaim, including an award for Best International Fiction Series in Europe. How does Theater Stap mark its anniversaries? In 2025 the company celebrated its 40th anniversary. To mark the occasion, Theater Stap unveiled a new logo and launched an entirely new website, and published an anniversary book titled "Van Medea tot Korea," collecting stories and anecdotes from four decades of the company's history. The anniversary year also coincided with rehearsals for a new production of "Carmen," created in collaboration with Compagnie Lodewijk/Louis and set to premiere in October 2025 — a fitting tie-in, since the opera "Carmen" itself was first performed 150 years earlier. Frequently asked questions Where is Theater Stap located? The company is based in Turnhout, at Brugstraat 55, in Belgium's Antwerp province. When was Theater Stap founded? The company in its current form was founded in 1985, though its roots trace back to 1983 and activity at the De Warande centre in Turnhout. What is Theater Stap best known for internationally? Its widest recognition came from the 2017 television series "Tytgat Chocolat," featuring Theater Stap's own actors in leading roles, which won the award for Best International Fiction Series in Europe. Do audiences need prior familiarity with inclusive theatre to enjoy a Theater Stap performance? No — the company's own philosophy holds that its performances are designed to move any audience through the strength of the production itself, whether or not viewers have previous exposure to theatre made with actors who have intellectual disabilities.

Aleydistheater

Aarschot

Aleydistheater is a small, intimate theater in the heart of Aarschot, in the Belgian province of Flemish Brabant. It is run by a non-profit association (vzw) of the same name, founded in 1979, making it a long-standing fixture of the town's cultural life. Where exactly is the theater located? The building stands at Elisabethlaan 103B in Aarschot and forms part of a larger cultural site in the town center. It can be reached both from Elisabethlaan and from Gasthuisstraat, with access maps for both routes published on the theater's own website to help first-time visitors find their way. Drivers can use the spacious Carrefour parking facility along Gasthuisstraat, and additional parking spots are also available along Elisabethlaan itself. What makes this venue distinctive? The defining feature of Aleydistheater is the performance space itself: a renovated attic converted into an auditorium seating 95 people. The scale and character of the room — sloped walls, exposed wooden roof structure — give it a notably cozy, close-knit atmosphere, very different from the experience of a large, multi-hundred-seat theater hall. After the curtain falls, visitors can move to the foyer, which is likewise tucked under the building's roofline, and unwind there over a drink while discussing the show they just saw. How many productions does the theater stage each year? The Aleydistheater company produces four of its own shows annually. That pace is typical of local, amateur and semi-professional theater troupes in Belgium, where the point is less about a sprawling repertoire and more about consistency and a lasting bond with a local audience that returns season after season for each new premiere. How can visitors book tickets, and what else does the theater offer? Tickets can be reserved online directly through the theater's website. Beyond standard ticket sales, Aleydistheater also sells gift vouchers (cadeaubonnen) that can be redeemed against any show in the current program — a popular gift idea among residents of Aarschot and the surrounding area. The website also lists ticket prices and accessibility information for visitors with disabilities, making it easier to plan a visit ahead of time. For any organizational or booking questions, the theater can also be reached by phone at 016 56 02 22 during office hours. Frequently asked questions How many seats does Aleydistheater have? The auditorium seats 95 people — a deliberately small, intimate space set up in the building's attic. How many premieres does the theater stage per year? The company produces four new shows each year. What is the best way to park when arriving by car? The most convenient option is the Carrefour parking facility along Gasthuisstraat; extra spaces are also available along Elisabethlaan. Since when has Aleydistheater existed? The non-profit association behind the theater (vzw Aleydis) was founded in 1979. Can tickets be given as a gift? Yes, the theater offers gift vouchers that can be used for any show in its program.

CC Achterolmen

Maaseik

CC Achterolmen is a cultural centre in Maaseik, a town in the Belgian province of Limburg, located at Van Eycklaan 72. Named after the Achterolmen neighbourhood where it stands, the venue has long served as the town's main stage for cultural life, drawing residents of Maaseik and the surrounding area to concerts, theatre performances, comedy nights, and film screenings. For anyone curious about local cultural life in this small city on the Meuse river, it's a natural point of reference. What can you see and do here? The programming at CC Achterolmen is remarkably varied for a town with just over 25,000 inhabitants. The schedule includes music concerts, theatre productions, comedy shows (Belgium's strong "cabaret" tradition is clearly present here), and family performances aimed at audiences of all ages. Names that have appeared on the bill include Amelie Albrecht, William Boeva, and Stijn Meuris — well-known figures on the Flemish stage, showing that despite the town's modest size, the centre manages to attract established national performers. A recurring fixture of the programme is the weekly Zebra Cinema screening, held on Wednesday evenings. This is an arthouse-style film format aimed at viewers looking for something beyond standard multiplex fare, and it has become one of the centre's most recognisable offerings, running on a regular cycle throughout the season. Did the building undergo renovation? Yes. During the 2023-24 season, the centre's distinctive building on Van Eycklaan underwent a thorough facelift, and programming was temporarily relocated to three different venues around Maaseik. Despite the disruption, the organisation did not pause its activities — concerts, plays, and film screenings continued at the temporary locations, reflecting a clear commitment to keeping cultural programming available to the community throughout the renovation period. How to get there and what's nearby? The centre is located at Van Eycklaan 72, in an easily accessible part of Maaseik. Nearby attractions include Bowling Maaseik and the Aquadroom swimming pool complex, as well as starting points for local cycling routes, including one known locally as "De Zondag." Several dining options are also close at hand, such as Café Graad, Koffiekoekje, and Trappenhuys, making it easy to combine a visit to the cultural centre with a meal or coffee before or after a show. Frequently asked questions Where exactly is CC Achterolmen located? At Van Eycklaan 72, 3680 Maaseik, in the Belgian province of Limburg. What kind of events take place there? Concerts, theatre performances, comedy shows, family productions, and weekly Zebra Cinema film screenings on Wednesdays. Is the building currently open at its original location? During the 2023-24 renovation, programming ran from three temporary venues around town — it's worth checking the current status before visiting. Where can I find the current programme? The full, up-to-date schedule is published on the centre's website, achterolmen.be. What else is worth seeing nearby? Nearby you'll find a bowling alley, the Aquadroom pool complex, cycling routes, and several cafés and restaurants.

Mercelis Theater

Ixelles - Elsene

Théâtre Mercelis is a small, intimate theatre in the Brussels municipality of Ixelles (Elsene), tucked away between Avenue Louise and Place Fernand Cocq, on Rue Mercelis. It is a place where the neighbourhood's history intertwines with living, contemporary culture — today the venue specialises mainly in productions for young audiences, though its roots go back to a very different era. Where does the building come from? The building on Rue Mercelis was constructed at the beginning of the 20th century, but it was not originally a theatre in the modern sense. The ground floor housed a café with a billiard room, while a back room served as a banquet hall. Alongside these, a small stage was used for all sorts of purposes: conferences, amateur performances, charity evenings, and even electoral meetings. In other words, before it became a cultural institution in the strict sense, it functioned as a local hub of social and community life. How did the theatre come under municipal ownership? In the 1930s, the municipality of Ixelles began leasing spaces within the building, and shortly after the end of the Second World War it became the full owner. That marked the start of a gradual transformation of the former multi-purpose hall into a genuine municipal theatre serving the district's residents. What was the surrealist episode of 1926? One of the more intriguing moments in the venue's history took place on the evening of 2 February 1926, when the Belgian surrealist group "Correspondance" organised a concert at Théâtre Mercelis, followed by a performance titled "Le Dessous des cartes" ("The Underside of the Cards"). This episode shows that despite its modest, neighbourhood character, the hall was able to attract avant-garde artistic circles active in interwar Brussels. When did the theatre take on its current appearance? The decisive moment in the building's architectural history came in 1953. That year, municipal architect Armand Poppe carried out a thorough renovation — both inside and out. It was this post-war overhaul that gave Théâtre Mercelis the traditional look still recognisable today, nearly seventy years later. What role does the theatre play today? Today, Théâtre Mercelis — also known as Petit Théâtre Mercelis — sits at the very heart of Ixelles and focuses primarily on programming for children and young audiences. In 2017, the municipality decided to increase its seating capacity to 178, installing upholstered grey fabric chairs with wooden armrests: a comfortable and understated solution suited to family audiences. Frequently Asked Questions Where exactly is the theatre located? On Rue Mercelis, at numbers 13 and 15, between Avenue Louise and Place Fernand Cocq in Ixelles. Since when has the building served as a municipal theatre? The municipality of Ixelles leased spaces there from the 1930s and became the owner shortly after the Second World War. What made the venue notable in the past? It served as a community gathering place — home to a café, a billiard room and a banquet hall — and in 1926 it hosted a surrealist evening staged by the "Correspondance" group. Who is the theatre's programme aimed at today? Théâtre Mercelis specialises in productions for young audiences while remaining an important cultural landmark of the Ixelles district.

Ancienne Belgique

Bruksela

Ancienne Belgique (commonly known as AB) is one of Brussels' most prominent concert venues, dedicated to contemporary music. Situated right in the historic heart of the Belgian capital, it sits within easy reach of the city's most visited landmarks, making it a natural stop for anyone combining sightseeing with live music. Over the years, AB has established itself as one of the country's leading music venues, drawing both international touring acts and homegrown Belgian talent. What kind of venue is this? Ancienne Belgique is a concert hall built around contemporary music in the broadest sense — its stage hosts everything from rock and pop to more electronic and alternative sounds. This breadth of programming is a key reason the venue is regarded as one of the leading concert halls in Belgium, appealing to a wide cross-section of music fans rather than a single niche audience. Why does it matter to visitors? The numbers speak to its standing in the city's cultural life: roughly 300,000 people attend concerts at AB every single year. That volume of visitors underlines just how central the venue is to Brussels' live-music scene, and why it regularly appears on the radar of both locals and travelers looking for something to do in the evening. Where exactly is it located? Ancienne Belgique is located in the historic center of Brussels, an area already packed with landmarks and points of interest for anyone exploring the city on foot. Its coordinates place it at approximately 50.847222 N, 4.348889 E, right within the dense core of the capital, close to other central attractions. Frequently asked questions What type of music can you hear at Ancienne Belgique? The venue focuses on contemporary music in a wide sense, covering pop, rock, and more alternative or electronic styles, performed by both local Belgian acts and international touring artists. How many people visit AB each year? About 300,000 people attend concerts there annually, making it one of the most frequented music venues in the country. Is Ancienne Belgique close to central Brussels? Yes, it sits in the historic heart of the city, making it easy to reach on foot or by public transport for anyone already exploring the surrounding sights. Is this venue significant for the Belgian music scene? Yes — Ancienne Belgique is considered one of the leading concert halls in Belgium, regularly hosting well-known performers from both the local and international scene. Is it worth planning a visit here while touring Brussels? If your trip happens to coincide with an interesting show, a concert at AB is a great way to pair sightseeing with a well-regarded cultural experience enjoyed by both local and international audiences.

Théâtre Marni

Ixelles - Elsene

Théâtre Marni is a theatre and concert venue in the Brussels municipality of Ixelles, on rue de Vergnies, with a past that most visitors arriving for an evening show would never guess. How did this building start out? It opened as a cinema. The first screening took place on 18 November 1948 under the direction of Joseph Weckx. The hall held close to 1,800 seats and for decades served as a popular second-run cinema near Place Eugène Flagey, screening the era's biggest titles, including "The Third Man" (1950), "From Here to Eternity," "The Ten Commandments," "El Cid," and "The Longest Day." Why did the cinema stop operating? In the late 1960s and early 1970s, small neighbourhood cinemas across Europe began losing audiences to television and larger multiplex venues. To keep the hall alive, its programme shifted toward live performance mixed with film screenings. It was during this period that Johnny Hallyday and Joe Dassin performed there. One especially notable moment was a concert by Duke Ellington, given shortly before his death — one of his last performances. The cinema closed for good in 1974. What happened to the building after the cinema closed? The building didn't sit empty. Until 1982, it was used as a rehearsal space by the Symphony Orchestra and choirs of RTBF, the Belgian public broadcaster. Only after that period did the venue undergo its next transformation. When did today's theatre come into being? The conversion into a theatre took place in 1997, and operations formally began under the name Théâtre Marni on 4 December 1998. The entrance was moved to rue de Vergnies — a spot that had previously served as one of the cinema's emergency exits. It's one of the few visible traces left of the building's original purpose. What can visitors see at Théâtre Marni today? The venue's programme blends several performing arts disciplines: contemporary theatre, dance, circus de création, and live music. It's particularly well known among jazz audiences — Marni has long served as an active platform for jazz concerts in Brussels, alongside its theatre and dance productions. Where exactly is Théâtre Marni located? The theatre sits in Ixelles, one of the municipalities of the Brussels-Capital Region, at 25 rue de Vergnies. Its location close to Place Flagey makes it easy to combine a visit to the theatre with exploring this well-known part of Ixelles. Frequently asked questions Was Théâtre Marni originally a cinema? Yes. The building opened in 1948 as a cinema seating close to 1,800 people, and only became a theatre in 1997–1998. Who performed there while it still combined cinema and concerts? Artists included Johnny Hallyday, Joe Dassin, and Duke Ellington, who gave one of his final concerts on this stage. What can you see at Théâtre Marni today? Theatre productions, contemporary dance, circus de création, and concerts, with a particular focus on jazz. Where is the theatre's entrance? On rue de Vergnies, at what used to be one of the cinema's emergency exits.